可愛的惡魔
自分を?qū)毼铯韦瑜Δ藪Qってくれる夫の一樹と慎ましくも幸せな毎日を送る美穂。特に夫に不満があるわけではなかった彼女だが、アルバイト先の弁護士事務所の弁護士、桑田に好感を抱くようになる。その想いは日増しに募り、やがて彼女は桑田と関係を持ってしまう?!亥辚佶螗弗荪毳巍弧簵@姫』などに出演する七海ななが主演を務め、小悪魔的ヒロインを演じるエロティックサスペンス。思わせぶりで男を惑わすヒロインと、彼女に魅了されてしまった男ふたりの愛の果てを描く。監(jiān)督は『名前のない女たち』『華魂』などで知られる佐藤壽保、腳本は『苦役列車』『超能力研究部の3人』のいまおかしんじが手がける。
在線播放
劇情簡介
自分を?qū)毼铯韦瑜Δ藪Qってくれる夫の一樹と慎ましくも幸せな毎日を送る美穂。特に夫に不満があるわけではなかった彼女だが、アルバイト先の弁護士事務所の弁護士、桑田に好感を抱くようになる。その想いは日増しに募り、やがて彼女は桑田と関係を持ってしまう?!亥辚佶螗弗荪毳巍弧簵@姫』などに出演する七海ななが主演を務め、小悪魔的ヒロインを演じるエロティックサスペンス。思わせぶりで男を惑わすヒロインと、彼女に魅了されてしまった男ふたりの愛の果てを描く。監(jiān)督は『名前のない女たち』『華魂』などで知られる佐藤壽保、腳本は『苦役列車』『超能力研究部の3人』のいまおかしんじが手がける。
同類好片
火山下
威廉·萊維,瑪吉.斯班多斯,阿德里亞娜·托雷維哈諾,法比奧拉·瓜哈爾多,伊利婭·蓋爾拉,Pino Montesdeoca,Antón Lofer鬼屋直播
莎拉·莫利斯基,妮佳·海特洛娃,茂·孫,Victor Soares柏林綜合癥
泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達,Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬博格,AJ·鮑恩,Kentucker Audley導演精選
巴黎諜影
法國青年瑞斯(喬納森?萊斯?梅耶斯 Jonathan Rhys Meyers 飾)在大使館中工作,同時他還是美國情報部門的見習人員,精明強干的瑞斯對“換車牌”,加竊聽器之類的任務自然是駕輕就熟,但是他很快迎來了真正的挑戰(zhàn)——配合探員瓦克斯(約翰?特拉沃塔 John Travolta 飾)在巴黎的行動。 瓦克斯作風強硬,舉止粗暴?;腥缏嬛凶叱龅拿绹⑿郏σ幌嘛w機,便咬住了毒品的線索一路大開殺戒,先后與華人、巴基斯坦和黑人幫派連番激戰(zhàn)……瑞斯對神奇的瓦克斯目瞪口呆之余,也漸漸跟上了他的節(jié)奏。任務接近尾聲之時,兩人意外發(fā)現(xiàn)瑞斯居然也是恐怖分子的目標人物之一,原來恐怖分子們以瑞斯為突破口,試圖刺殺赴法訪問的美國高官,于是這對臨時搭檔,迅速整備出發(fā)……
殺手算命師
在一位塔羅牌占卜師預言了一次偶遇后,肖恩開始相信命運,并為他的愛情生活和事業(yè)尋求進一步的建議。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.