滿清禁宮奇案

★ 4.8 播放:50萬 更新:2026-05-06

別名:滿清禁宮秘史 清代同治皇帝,因常常私出禁宮,尋歡作樂,終染梅毒而歿,被視為荒y-君主,但是事情背面,卻有一段哀怨慟人的愛情故事。同治(宋本中飾)雖貴為皇帝,卻無實權(quán),事事皆由慈禧太后作主,年少氣盛的同治深感不滿,但卻無法,只好與宮女桂蓮(翁虹飾)傾吐。桂蓮與同治兩小無猜,年歲比同治為大,事事關(guān)懷,形同姐弟,但是二人內(nèi)心深處,均視對方為情人。親政之前,慈禧為同治選皇后,慈禧早已內(nèi)定慧妃為后,豈料同治自以為是,自立皇后,母子聯(lián)系再增隔閡,從此種下禍根。慈禧貼身宦官安德海一貫垂涎桂蓮美色,三番四次對桂蓮不敬,終為同治知悉,聯(lián)同小李子(梁思浩飾)及徵貝勒(王書麒飾),將之怒打,安德海懷恨在心,在慈禧面前進(jìn)言,逐桂蓮出宮,然后加以y-虐。最終更將之賣落八大胡同當(dāng)娼。機(jī)緣巧合下練成床上必殺技『天龍八部』。大婚之夜,皇后承歡,但是在同治心中,一直視皇后為桂蓮的化身。不多,風(fēng)聞桂蓮在八大胡同呈現(xiàn),同治遂在徵貝勒安排下私出禁宮,尋覓桂蓮下落。桂蓮未能尋獲,卻為花花世界所招引,先被白俄羅斯女郎色誘上床,繼而迷上妓女的超凡床上技,不時以尋覓桂蓮為藉口,收支八大胡同。在機(jī)緣巧合下,同治與桂蓮重逢,二人彷如隔世。但是同治已染上梅毒,并且病發(fā),桂蓮為之沉痛不已。另一方面,慈禧決以天花之癥治療同治,避免丑事外揚(yáng)。同治臨終前夕,命令暗算安德海,以報桂蓮之辱。成果安德海被誅,同治駕崩,桂蓮毀容殉帝,以示貞操。   

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劇情簡介

別名:滿清禁宮秘史 清代同治皇帝,因常常私出禁宮,尋歡作樂,終染梅毒而歿,被視為荒y-君主,但是事情背面,卻有一段哀怨慟人的愛情故事。同治(宋本中飾)雖貴為皇帝,卻無實權(quán),事事皆由慈禧太后作主,年少氣盛的同治深感不滿,但卻無法,只好與宮女桂蓮(翁虹飾)傾吐。桂蓮與同治兩小無猜,年歲比同治為大,事事關(guān)懷,形同姐弟,但是二人內(nèi)心深處,均視對方為情人。親政之前,慈禧為同治選皇后,慈禧早已內(nèi)定慧妃為后,豈料同治自以為是,自立皇后,母子聯(lián)系再增隔閡,從此種下禍根。慈禧貼身宦官安德海一貫垂涎桂蓮美色,三番四次對桂蓮不敬,終為同治知悉,聯(lián)同小李子(梁思浩飾)及徵貝勒(王書麒飾),將之怒打,安德海懷恨在心,在慈禧面前進(jìn)言,逐桂蓮出宮,然后加以y-虐。最終更將之賣落八大胡同當(dāng)娼。機(jī)緣巧合下練成床上必殺技『天龍八部』。大婚之夜,皇后承歡,但是在同治心中,一直視皇后為桂蓮的化身。不多,風(fēng)聞桂蓮在八大胡同呈現(xiàn),同治遂在徵貝勒安排下私出禁宮,尋覓桂蓮下落。桂蓮未能尋獲,卻為花花世界所招引,先被白俄羅斯女郎色誘上床,繼而迷上妓女的超凡床上技,不時以尋覓桂蓮為藉口,收支八大胡同。在機(jī)緣巧合下,同治與桂蓮重逢,二人彷如隔世。但是同治已染上梅毒,并且病發(fā),桂蓮為之沉痛不已。另一方面,慈禧決以天花之癥治療同治,避免丑事外揚(yáng)。同治臨終前夕,命令暗算安德海,以報桂蓮之辱。成果安德海被誅,同治駕崩,桂蓮毀容殉帝,以示貞操。   

導(dǎo)演精選

新凱旋門

1982年,法國總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項目——拉德芳斯大拱門發(fā)起一場國際建筑競賽,該項目與盧浮宮和凱旋門對齊。出乎所有人意料,一位在法國鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競賽。這位建筑師打算完全按照自己的設(shè)想建造大拱門,但他的理念很快與實際限制和政治變幻莫測相沖突。這部電影以真實事件為靈感,講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術(shù)自由的限制下實現(xiàn)其宏偉愿景的故事。

河貍變身計劃

 少女梅寶(佩珀·柯達(dá) Piper Curda 配音)偶然借助突破性技術(shù),讓自身意識“跳脫”身體,進(jìn)入機(jī)械動物體內(nèi),“變身”為一只活潑靈動的河貍,從而得以潛入動物社群內(nèi)部,更以“人類思維闖入動物本能”的獨(dú)特視角,揭開一場充滿意外與溫情的野外探險。

那個人在想什么事情

  The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.