驢子潘趣
別名：Donkey Punch / The Punch ;驢子潘趣是一種既危險又變態(tài)的**游戲，然而，為了獲得更大的快感，許多年輕人們冒著生命危險樂此不疲的沉溺于其中。在一次和四個男孩的放縱中，女孩莉莎（希安 m布萊金 Sian Breckin 飾）成為了這個游戲的犧牲品，而誤手將她殺死的男孩喬什（朱利安莫里斯 Julian Morris 飾）不顧眾人的反對，執(zhí)意決定毀尸滅跡。喬什的舉動大大的刺激到了莉莎的好友金姆（杰美 middot;溫斯頓 Jaime Winstone 飾）和黛米（妮可拉;布利 Nichola Burley 飾），而這兩個很可能會泄露實情的目擊證人成為了男孩們獵殺的對象。 在廣袤而沉默的大海上，進(jìn)行著一場生死攸關(guān)的大逃殺，面對喪心病狂的男孩們，金姆和黛米能夠逃出生天嗎？
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劇情提要
別名：Donkey Punch / The Punch ;驢子潘趣是一種既危險又變態(tài)的**游戲，然而，為了獲得更大的快感，許多年輕人們冒著生命危險樂此不疲的沉溺于其中。在一次和四個男孩的放縱中，女孩莉莎（希安 m布萊金 Sian Breckin 飾）成為了這個游戲的犧牲品，而誤手將她殺死的男孩喬什（朱利安莫里斯 Julian Morris 飾）不顧眾人的反對，執(zhí)意決定毀尸滅跡。喬什的舉動大大的刺激到了莉莎的好友金姆（杰美 middot;溫斯頓 Jaime Winstone 飾）和黛米（妮可拉;布利 Nichola Burley 飾），而這兩個很可能會泄露實情的目擊證人成為了男孩們獵殺的對象。 在廣袤而沉默的大海上，進(jìn)行著一場生死攸關(guān)的大逃殺，面對喪心病狂的男孩們，金姆和黛米能夠逃出生天嗎？
幕后花絮
戒靈
顧泓淵身負(fù)儲物戒指枷鎖，偽裝廢柴在云道峰隱忍修煉。被迫指導(dǎo)小師妹唐檸，卻意外卷入秘境之爭。玄天派結(jié)盟白黎、語笙，為靈石與混元契踏入險地。秘境中智破八門金鎖陣，助唐檸領(lǐng)劍意。面對復(fù)蘇的狂暴白澤，他打破戒指枷鎖突破元嬰，與師兄漠儒楓合力將其封印。攜混元契歸來后穩(wěn)固修為，眼神暗藏鋒芒，新的冒險已然開啟，而壁畫深處滲出的黑暗氣息，預(yù)示著更大危機(jī)正在醞釀
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster