爆米花和野草莓

? 1.8 播放：12萬 2026-05-07

別名：Popcorn und Himbeereis 兩個厚臉皮的孩子都在尋找失去的金錢和土地，在床的豪華城堡酒店。之前，大的家具店倒閉由于公司放假，也不應(yīng)該迅速帶來現(xiàn)金的銀行，的秘書可靠維維。但Vivi的支持... 　　

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? 播放 爆米花和野草莓

劇情提要

別名：Popcorn und Himbeereis 兩個厚臉皮的孩子都在尋找失去的金錢和土地，在床的豪華城堡酒店。之前，大的家具店倒閉由于公司放假，也不應(yīng)該迅速帶來現(xiàn)金的銀行，的秘書可靠維維。但Vivi的支持... 　　

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

執(zhí)法記錄

兩名警察在出警處理一樁家庭糾紛時，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場的攝像頭…