劇情縱覽
塔那,布萊特,麗塔和 Jorge 是所有在二十多歲和所有尋找方法來(lái)讓他們的夜晚在馬德里市少一點(diǎn)孤獨(dú)。毒品、 性、 多個(gè)伙伴和不同后背景設(shè)置 ︰ 無(wú)虛構(gòu)與現(xiàn)實(shí)之間沒(méi)有邊界的四個(gè)故事。第一部故事片。
塔那,布萊特,麗塔和 Jorge 是所有在二十多歲和所有尋找方法來(lái)讓他們的夜晚在馬德里市少一點(diǎn)孤獨(dú)。毒品、 性、 多個(gè)伙伴和不同后背景設(shè)置 ︰ 無(wú)虛構(gòu)與現(xiàn)實(shí)之間沒(méi)有邊界的四個(gè)故事。第一部故事片。
塔那,布萊特,麗塔和 Jorge 是所有在二十多歲和所有尋找方法來(lái)讓他們的夜晚在馬德里市少一點(diǎn)孤獨(dú)。毒品、 性、 多個(gè)伙伴和不同后背景設(shè)置 ︰ 無(wú)虛構(gòu)與現(xiàn)實(shí)之間沒(méi)有邊界的四個(gè)故事。第一部故事片。
描述一群青少年學(xué)生參加美國(guó)太空總署主辦的太空夏令營(yíng),親身體驗(yàn)太空登月的操作環(huán)境。不料在一次意外中,他們乘坐的太空艙竟然真地發(fā)射升空,幾個(gè)年輕人登時(shí)六神無(wú)主,幸好有一個(gè)機(jī)器人留在艙中協(xié)助他們化險(xiǎn)為夷。在眾多的太空科幻片中,哈瑞.溫勒導(dǎo)演本片較著重太空知識(shí)的傳遞而非眩目迷人的特效。外景在NASA 實(shí)地拍攝,有些地方頗令人大開(kāi)眼界。凱特.卡普肖飾演女教官、利.湯普森、凱利.普雷斯頓飾演太空歷險(xiǎn)的學(xué)生,但最討人喜歡的還是那個(gè)造型和表演都相當(dāng)有趣的機(jī)器人。
1982年冬天,挪威科考隊(duì)的一架直升機(jī)突然打破了南極大陸的平靜,直升機(jī)瘋狂的追逐一只雪橇犬,最后墜毀在美國(guó)科考營(yíng)地的附近。美國(guó)科考隊(duì)員對(duì)挪威考察隊(duì)近期人員驟減的情況有所耳聞,于是飛行員麥克(Kurt Russell 飾)與眾人趕赴挪威營(yíng)地,結(jié)果看到的是一地破敗中四處散落著奇怪的尸體,并有證據(jù)表明挪威人得到了某種冰封狀態(tài)中的生物。醫(yī)生布萊爾(Wilford Brimley 飾)研究了尸體的變異卻無(wú)法破解成因。當(dāng)晚,犬籠中的狗遭到襲擊并發(fā)生了變異,一種不可知的生物正在這孤寂的南極大陸威脅著科考隊(duì)員們的生命…… 本片翻拍自1951年由霍華德?霍克斯指導(dǎo)的《The Thing From Another World》。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
是一部關(guān)于卡洛斯的藝術(shù)之家故事片,他是一位住在倫敦的受折磨的藝術(shù)家??逅褂龅骄S羅妮卡,一個(gè)另一個(gè)世世的女人時(shí),對(duì)生活的看法發(fā)生了變化。