爆米花和野草莓

★ 4.3 播放：42萬 更新：2026-05-06

別名：Popcorn und Himbeereis 兩個(gè)厚臉皮的孩子都在尋找失去的金錢和土地，在床的豪華城堡酒店。之前，大的家具店倒閉由于公司放假，也不應(yīng)該迅速帶來現(xiàn)金的銀行，的秘書可靠維維。但Vivi的支持... 　　

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劇情簡(jiǎn)介

別名：Popcorn und Himbeereis 兩個(gè)厚臉皮的孩子都在尋找失去的金錢和土地，在床的豪華城堡酒店。之前，大的家具店倒閉由于公司放假，也不應(yīng)該迅速帶來現(xiàn)金的銀行，的秘書可靠維維。但Vivi的支持... 　　

導(dǎo)演精選

審判者1

　　攝影師王樹因一次“死亡拍攝”獲獎(jiǎng)并一舉成名，于此同時(shí)他也斷送了自己的攝影生涯。在輿論的審判下，沒有一家攝影公司愿意接納他，王樹不得不轉(zhuǎn)行維持生計(jì)，不想?yún)s變成了網(wǎng)絡(luò)爆紅的“審判者”，并陷入了一宗撲朔迷離的死亡綁架事件，踏上了“心靈審判”的漫漫長(zhǎng)路......

港之光

由藤井道人執(zhí)導(dǎo)并編劇、與館博二度合作的本片《港之光》，以北陸港口小鎮(zhèn)為背景，描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中，大叔通過“某種方法”籌措資金使幸太重見光明，但彼時(shí)大叔已不在身邊。成長(zhǎng)為青年的幸太相信著“其實(shí)大叔曾是刑警”這個(gè)小小謊言，如同追逐給予自己光明的憧憬之人般，成為了刑警。館博飾演化名三浦的“大叔”，歌舞伎界新星尾上真秀首登銀幕出演少年幸太，真榮田鄉(xiāng)敦詮釋青年幸太。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster