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奧利維亞·王爾德,摩根·斯佩克特,凱爾·凱特萊特,托妮·帕塔諾,貝特西·艾頓,切麗絲·迪倫,朱迪·馬爾特,C·J·威爾遜,查克·庫珀,馬塞林·休格特,佩奇·瑞亞,埃斯特凡妮婭·特杰達,貝弗利·阿特金森,希瑟·哈金斯,麗貝卡·斯皮羅,大衛(wèi)·尚布里斯,吉姆·福特,J·D·威廉姆斯,馬格特·賓漢,瑪麗·特斯塔刺客密碼
賈斯汀·查特文 Justin Chatwin 彼得·斯特曼 Peter Stormare Mark Thompson時空悍將
丹澤爾·華盛頓,凱莉·林奇,羅素·克勞,威廉·弗西斯,威廉·菲克納鯨
布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克怖谷鳥
亨特·莎弗,賈恩·布盧特德,馬爾頓·索克斯,杰西卡·亨維克,丹·史蒂文斯,米拉·劉,格蕾塔·費爾南德斯,波斯·曼達尼,阿斯特麗德·伯格斯-弗瑞斯貝, 康拉德·辛格,卡琳·莫羅毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉同類推薦
庇護之地
杰森·斯坦森,博德?!だ佟げ祭锛{希,比爾·奈伊,娜奧米·阿基,丹尼爾·梅斯,哈麗特·瓦爾特,戈登·亞歷山大,布隆森·韋伯,湯姆·吳,比利·克萊門茨,托米·梅,安娜·克里里,巴利·吉爾,瑞恩·弗萊徹,亞當·柯林斯,索菲安·弗朗西斯,布萊恩·維吉爾,史蒂文·布拉德斯,路易絲·拉,Rodaidh Findlay隱居孤島的特工界黃金王牌邁克爾·梅森(杰森·斯坦森 飾)本想就此隔絕過往,一場風暴卻讓他救下少女杰茜(博德希·蕾·布里納希 飾),命運的齒輪徹底反轉(zhuǎn)……他們的行蹤不慎暴露在嚴密的監(jiān)控網(wǎng)絡之下,神秘勢力的追殺接踵而至,無路可退的梅森被迫重操舊業(yè),攜手少女開啟生死突圍之路。 面對頂尖特工小隊和冷血殺手的輪番圍剿,梅森一路火力全開:近身肉搏、飛車追逃、槍林彈雨,硬核爽戰(zhàn)全程高能!隨著追殺不斷升級,層層陰謀被逐一揭開,互相防備的兩人成為彼此唯一的依靠。當滔天陰謀席卷而來,他們能否沖破死局?這份絕境中的守護,又會成為鎧甲還是軟肋?
鐵血戰(zhàn)士:荒原
David Chokachi,Amulya Ananth,Vanessa ZanardiWhen an alien hunter arrives on post-apocalypse Earth, it takes down a gang of warlords and unexpectedly becomes a folk hero to the oppressed locals. Now with their support, the alien sets its sights on the warlords' ruthless leader.
謊島美人魚
溫碧霞,禾浩辰,歸亞蕾,庹宗華,董至成,劉國劭,雷艾美,吳大維,黃詩棋知名電影評論網(wǎng)紅古馬木一直在網(wǎng)上做評論為大家排雷,這次他化身AI人工智能潛入電影世界,評論最新爛片《人魚愛上我》主創(chuàng)背後的真實故事? 潦倒編劇樂與母相依為命,偶爾在網(wǎng)上認識十分欣賞樂作品的神秘少女,樂以為覓得「真愛」並為之直奔海島,既為愛情亦為拍檔強介紹的工作。然而「真愛」不出現(xiàn),編劇工作同樣受挫,投資方堅持改編翻拍了無數(shù)次的童話故事美人魚,本應失落的樂卻莫名其妙與民宿老闆娘文漸行漸近。原來樂網(wǎng)戀的「真愛」就是懷春熟女文!文受前夫情傷,年歲漸長的她越發(fā)不自信才在網(wǎng)絡上尋求心靈慰藉! 文自從交上了樂這個網(wǎng)友之後,缺乏自信的她被樂的主動跟甜言蜜語治癒了不少。而樂在文的帶領之下也找到了寫作的靈感,樂忽發(fā)其想,邀請文一同合編美人魚的故事,正當劇本寫完之時,樂的母親突然病倒,樂心痛至極同時亦發(fā)現(xiàn)文就是當初自己網(wǎng)戀的少女,樂接受不了,拋下狠話,文亦傷心離去,兩人從此再無聯(lián)繫?! 吩卺t(yī)院陪母親走到生命的盡頭,在見證母親跟多年不見的父親一笑泯恩仇,樂明白世界的情感縱使起源於謊言,但結(jié)局也能如童話般美好,樂與文這段疑幻似真的情感,究竟過無數(shù)電影的古馬木能否猜到這故事的結(jié)局?
莎拉的筆記本
貝倫·魯埃達,馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬·門德斯勞拉,來自馬德里的西班牙律師,為尋找她失蹤的妹妹薩拉,深入剛果叢林的鈳鉭鐵礦產(chǎn)區(qū),營救妹妹
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster