迷情司機(jī) (1992)

6.6 播放:43萬(wàn) 更新:2026-05-06

少女因父母離異獨(dú)自在家,某日遭司機(jī)酒后強(qiáng)暴,隔日卻又獲知因飛機(jī)失事身亡,傷心不已.少女接下其父事業(yè)發(fā)現(xiàn)經(jīng)理勾搭少女在外之姊姊共謀家產(chǎn),幸得司機(jī)相助化解困境,但司機(jī)決定離開(kāi),她失望之余卻求他......

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少女因父母離異獨(dú)自在家,某日遭司機(jī)酒后強(qiáng)暴,隔日卻又獲知因飛機(jī)失事身亡,傷心不已.少女接下其父事業(yè)發(fā)現(xiàn)經(jīng)理勾搭少女在外之姊姊共謀家產(chǎn),幸得司機(jī)相助化解困境,但司機(jī)決定離開(kāi),她失望之余卻求他......

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百米。

松坂桃李,染谷將太,笠間淳,高橋李依,田中有紀(jì),種崎敦美,悠木碧,內(nèi)田雄馬,內(nèi)山昂輝,津田健次郎,榎木淳彌,石谷春貴,石橋陽(yáng)彩,杉田智和

  他,天生就跑得快。此外沒(méi)有優(yōu)于他人的地方了,但也覺(jué)得只要跑得快就足夠了。得以立足于學(xué)校、成為交友的橋梁。這便是,這位少年的一切。而與他相遇的,是為了忘掉痛苦而跑步的少年。他跑得并不快,卻有熱情。被他的熱情所感染,隨后感受到了興奮??伞⑦@卻是“異?!钡拈_(kāi)端?!?00米”,讓一切都變得瘋狂。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我的寶貝2

梅拉達(dá)·素斯麗,蘇提拉克·素維杰拉,查盧彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng

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妖星哥拉斯

池部良,白川由美,久保明,水野久美,平田昭彥

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樓上的人們

河正宇,李荷妮,孔曉振,金東旭

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