校園浪子1：頑皮的新生

　　一群直播團隊挑戰(zhàn)進入一座鬧鬼的老宅，很快發(fā)現，眼前的恐怖竟比他們預料的還要真實可怕。隨著一波又一波的驚悚事件，他們必須在恐懼中掙扎前行，力圖在這座死亡之屋中活到天亮。

　　一個陷入瓶頸期的女演員，一個北京胡同孤僻老炮。一個姥姥帶大的熊孩子，一個失敗中年男人。這分別來自北漂，留守，離異，孤寡的四個人因為一場騙局被迫組成臨時的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們在理想與現實中困頓，在希望與孤寂里掙扎。在這臨時的親情里回望各自真正的血緣。而在歡聲笑語的身后，又有多少不為人知的傷心往事..

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　外星人侵占了地球，人們被迫逃到地底下的巨型地堡避難。S.U.M.1是一個忠誠的戰(zhàn)士，他被送到地面上來拯救幸存者并每天匯報情況。他的任務就是守衛(wèi)人類的自我防御區(qū)不讓外星人靠近，然而這每天的例行任務卻逐漸成為他的噩夢，令人恐懼的聲音在樹林里回蕩；基地每日都受到頻繁的攻擊；塔內的電力供應出現故障；修理工卻遲遲不出現。他的上司也從未告訴過他有關上一任的事。孤獨感與妄想癥慢慢侵蝕了他的理智。難道外星人真的埋伏在森林里嗎？還是S.U.M.1已經被折磨到精神錯亂了？