愛(ài)的軀殼
她是一個(gè)模特（李智賢暫無(wú)內(nèi)容飾），沉魚(yú)落雁的美貌最終帶給她的卻是讓她遍體鱗傷的感情，她被所愛(ài)的人羞辱、厭惡，卻依然陷入愛(ài)他的感情中無(wú)法自拔。他是一名作家（吳智昊暫無(wú)內(nèi)容飾），沉默，內(nèi)斂，在對(duì)模特進(jìn)行了初次采訪(fǎng)之后一直對(duì)其戀戀不忘，所以，雨夜，當(dāng)受傷的模特出現(xiàn)在他的面前時(shí)，他毫不猶豫的占有了他。暫無(wú)內(nèi)容暫無(wú)內(nèi)容??奇怪的關(guān)系就這樣開(kāi)始了，模特出現(xiàn)，兩人交歡，但當(dāng)模特接到來(lái)自男友的電話(huà)時(shí)，她又總是義無(wú)反顧的離作家而去。隨著時(shí)間的流逝，作家發(fā)現(xiàn)自己對(duì)模特的占有欲越來(lái)越強(qiáng)烈，強(qiáng)烈到一想到模特的心中還戀著另一個(gè)男人就痛苦的無(wú)以復(fù)加。當(dāng)臨界點(diǎn)到來(lái)時(shí)，悲劇發(fā)生了......
即刻觀影
劇情賞析
編輯推薦
被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯本片根據(jù)艾德加·賴(lài)斯·巴勒斯的小說(shuō)改編而成。講述的是第一次世界大戰(zhàn)期間，一艘德國(guó)潛艇在撞沉一艘英國(guó)人的船以后，救起了幸存者。但是這艘潛艇開(kāi)錯(cuò)了方向，將這些幸存者帶到了一片未知的土地上。那里，棲息著大量的恐龍和穴居人。他們能順利地重返家園嗎？
絕命空間站
Julia Franz Richter,喬治·布萊頓,馬克·伊瓦涅2056 - Company soldier Hannah and scientists Gavin and Dimitri are on board of RUBIKON space station researching an algae project aimed to provide humanity with a permanent supply of oxygen and food. But all of a sudden the earth beneath them disappears in a brown, toxic fog and all contacts are broken - are they the last survivors? Should they leave the safe station, risk their lives by flying back? What is worth living for, what is worth dying for?
絕錄求生
吳超,孫驍瀟,吳楚,馮波,王思思,安琥,國(guó)慶,劉波現(xiàn)場(chǎng)網(wǎng)的馬楠（孫驍瀟 飾）和小魚(yú)（吳楚 飾）是一對(duì)相戀多年的情侶，馬楠不久在郊外購(gòu)得一處房產(chǎn)，剛好又趕上小魚(yú)的生日。于是他叫來(lái)同事兼好友張博（吳超 飾）、吳曉（馮波 飾）、龍梅（王思思 飾），為小魚(yú)策劃了一次生日派對(duì)，并計(jì)劃向小魚(yú)求婚。除了曾與小魚(yú)有過(guò)露水因緣張博外，整晚的派對(duì)都在歡快的氣氛下進(jìn)行。馬楠家隔壁住著一對(duì)經(jīng)常吵架的夫妻，異常聒噪的吵鬧聲引起吳曉等八卦女的好奇，她們結(jié)伴來(lái)到隔壁一探究竟，卻意外發(fā)現(xiàn)恐怖血腥的殺人現(xiàn)場(chǎng)?！ ≡揪妥?hù)稀少的公寓，此時(shí)仿佛變成一座巨大的鬼屋。不斷閃爍的燈光，凄厲刺耳的尖叫聲以及喪心病狂的殺人者。一種如瘟疫般的病毒在公寓內(nèi)肆意蔓延……
忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus KuncoroA narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.
七月返歸
白靈,太保,譚玉瑛,伍詠詩(shī),周祉君,沈殷怡,黃梓樂(lè)內(nèi)詳暫無(wú)簡(jiǎn)介
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.