96超級(jí)床上接班人

評(píng)分:5.6 播放:54萬 更新:2026-04-22

《買鬼篇》阿輝為一名無賴出租車司機(jī),某日深夜巧遇道士兜shou鬼魂,好奇之下買了一女鬼之鬼魂后;命其為之作盡壞事,女鬼不從,阿輝便強(qiáng)暴女鬼,道士得知后便將女鬼強(qiáng)行收回以保護(hù)女鬼。  《X愛篇》心蓮為一獨(dú)立開明的新女性,某日好友雨晴遭男友欺負(fù),心為安撫雨晴而將自己的第一次性經(jīng)驗(yàn)說出,以舒解雨晴的情緒?!短幣扶┗轂橐毁t淑美麗之女人,無奈卻嫁了性無能的企業(yè)家,致使雯惠始終為處女之身,某日雯惠老公出差之際而與小叔發(fā)生關(guān)系,終使得雯惠嘗X愛的歡愉。   

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Shannon Hutchinson,Vito Trigo,Jasmina Parent

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好像一切都很糟糕

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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