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克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫珀空中輪胎
長瀨智也,藤岡靛,高橋一生,深田恭子,岸部一德,笹野高史,寺脅康文,小池榮子,阿部顯嵐,中村蒼,室毅,柄本明,佐佐木藏之介,升毅,谷村美月別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙吊人游戲
阿爾·帕西諾,布蘭特妮·斯諾,莎拉·夏希,卡爾·厄本,喬·安德森,杰梅因·里弗斯,謝勒·拉莫斯,邁克爾·帕帕約翰,斯蒂芬·考特爾,歐德莎·雷,朱爾斯·黑文,薇薇安娜·查維斯,馬特·默丘里奧,邁克爾·羅斯,德韋恩·博伊德,斯洛恩·沃倫,喬恩·亞瑟灰色女士
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·萊斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins暗流低語
尼娜·凱莉,亞當·迪馬科,Michèle Duquet,基娜·巴斯蒂達斯,容海峰,Ryan Turner,阿里·米倫,Marisol D'Andrea,Austin Tuason,Seled Calderon,Bianca Nugara,Jayda Woods,Sarah Beaudin,Christina Notto同類推薦
出賣她的肉體
弗里達法瑞爾,加布里埃爾·奧爾德斯,馬修·馬斯登Selling Isobel, a thriller based on true events, featuring the real victim in true life playing the main charter. It's about a woman who got locked in, drugged, held against her will and sold to numerous men for 3 days in an apartment in central London. It's a film about her fight for survival all the way to the gruesome end.
懸崖絕壁
佩麗冉卡·曹帕拉,卡爾·厄本,特穆拉·莫里森,伊斯梅爾·克魯斯·科爾多瓦,加里·比德爾,薩菲亞·奧克利-格林,大衛(wèi)·菲爾德,扎克·莫里斯,格雷格·哈頓,薩欽·喬伯,帕卡羅·姆澤貝,喬丹·穆尼,羅尼·詹姆斯·休斯,莎倫·布魯克斯,艾克·楚特,喬恩·奎斯蒂德,吉迪恩·姆澤姆貝,拉斯·加拉格爾,維丹滕·奈杜,內斯特·盧卡斯故事以19世紀的開曼群島為背景,索爾達娜飾演居住在加勒比海地區(qū)的埃克塞爾,這是一個非常強勢的女性角色,當她的島嶼被兇殘的海盜入侵時,她過去的秘密將被揭開。
志愿軍:浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹維,王陽,張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌電影《志愿軍》三部曲系列終章《志愿軍:浴血和平》聚焦抗美援朝第五次戰(zhàn)役后直至簽署停戰(zhàn)協(xié)議期間“邊打邊談”的作戰(zhàn)歷程。前線戰(zhàn)斗血火交鋒,談判桌上唇槍舌劍,面對敵人的一再挑釁,中華兒女合力反擊,誓要奉陪到底,經過747天的抵死奮戰(zhàn),終于打破了美軍不可戰(zhàn)勝的神話,搏來了期盼已久的和平。
非傳統(tǒng)浪漫關系
朱顏曼滋,任彬,趙小棠,王天放,于謹維,王勁松,金廣發(fā),王勉,顏安,趙夕汐,孫丞瀟 ,張帆,錢迪迪,汪曲攸,鄧飛,于小彬,丁文博,牛犇,葛兆美情感博主祝君好(朱顏曼滋 飾)與在民政局工作的龔璽(任彬 飾),兩個本該最懂“愛”的人,卻在520這天領了離婚證。面對毀不掉的婚紗照和分不清的牽絆,兩人一拍即合,決定開啟一段“非傳統(tǒng)”的高效關系——互給對方介紹對象!然而相親局逐漸失控,龔璽重逢了自己曾經的相親對象紀小舒(趙小棠 飾),祝君好則遇上了前任向涵(王天放 飾),還有“八離世家”的霸總和“懂王”附體的弟弟。這對“離婚搭子”在互坑與互助之間,開始重新審視自己的親密關系,也意外踏上了一段關于“愛”的二次探索。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster