敦煌夜譚
;好一部人鬼戀，水袖的飄忽，漫妙的歌曲，美麗的構(gòu)圖， 加上敦煌莫高窟的氣勢(shì)，使《敦煌夜譚》更具可觀性。 瓜川節(jié)度使李懷讓因憶亡女，遂請(qǐng)名畫師桑子明為其女兒畫供養(yǎng)人像。 因桑之畫稿被人涂改及洞中有紅項(xiàng)黑背花面狐貍出現(xiàn)，助手于飛遂勸師父謹(jǐn)慎，但桑一笑置之。一夜，風(fēng)狂雨暴，閃電雷鳴，桑在洞外樹林中救回一女子，自稱蓮香，乃敦煌鎮(zhèn)上名妓，容貌冶艷蝕骨，在她的勾引下，桑遂與她共寢。 數(shù)日后，蓮香有事離去，桑在月牙泉邊撿回一張古琴，入夜，桑 擲弄琴弦，琴聲引來(lái)一妙齡少女，自言是李懷讓侄女李燕兒，認(rèn)得此琴，并邊撫邊唱，訴說(shuō)知音難覓。燕兒能扶琴，更善舞，婀娜多姿，桑被其迷，終夜歡娛，至五更始離去。 蓮香返回，見(jiàn)桑子明面色晦黯，一身鬼氣，問(wèn)清原由，設(shè)計(jì)困住李燕兒。燕兒訴說(shuō)哀腸，謂乃李懷讓已亡之女李燕兒，因羨慕人生，不甘為鬼，暗中隨父前來(lái)，不料遇桑郎一見(jiàn)傾心，并無(wú)害人之意。言罷，聲淚俱下。蓮香受其感動(dòng)，表示愿意成全他倆好事。 蓮香攜燕兒魂游地府，用財(cái)色買通判官身邊小鬼，偷看生死簿，巧使借尸還魂去，使用權(quán)燕兒再世人生。 浩浩蕩蕩的迎親行列中，桑子明與燕兒互相偎依，蓮香漸漸隱去，登敦煌城上，遙望結(jié)婚隊(duì)伍遠(yuǎn)去，空留漫漫黃沙，無(wú)邊瀚海。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
世界大戰(zhàn)：輻射
威廉·鮑德溫,邁克爾·帕爾,凱特·霍吉,哈文·巴拉卡,Jessy Holtermann,布萊恩·萊蒙斯,Ryan JonesThe Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.
迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗公元22世紀(jì)，因?yàn)槿丝谶^(guò)度膨脹、過(guò)度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去，就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當(dāng)時(shí)最先進(jìn)的太空飛船，去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜（威廉·赫特 William Hurt 飾）一家被選中擔(dān)負(fù)起了這次探索使命，他們將用10年的時(shí)間前往阿爾法星球?？墒?，這次擔(dān)負(fù)起全人類命運(yùn)的任務(wù)卻有反對(duì)的聲音，部分邪惡勢(shì)力妄圖阻止這次任務(wù)。所以，當(dāng)羅伯遜一家駕駛太空船剛進(jìn)入太空的預(yù)定軌道時(shí)，反對(duì)派史密斯博士暗中進(jìn)行破壞，導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢(shì)力的阻撓，不知名星球上的種種危機(jī)，如何才能重新設(shè)定新的航線……各種問(wèn)題困惑著羅伯遜一家，他們真的就此迷失太空，無(wú)法到達(dá)目的地了嗎？人類的命運(yùn)將何去何從？
巨洪
金多美,樸海秀,權(quán)恩成,金圭娜,金炳南,李東燦,金秀京,全俞娜,金敏貴,鄭敏俊,全慧珍,樸炳垠,李學(xué)周科幻災(zāi)難大片《巨洪》講述了在地球被大洪水淹沒(méi)前的最后一天，對(duì)人類抱有最后一絲希望的人們?cè)谘退墓抢飹暝笊墓适隆?/p>
仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達(dá)什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry威廉喪妻后，從AI公司得到一位與亡妻樣貌相同的仿生人，在人工智能開發(fā)的斗爭(zhēng)中，一個(gè)神秘組織試圖通過(guò)破壞仿生人的程序來(lái)讓仿生人獲得自由...
假裝熱情
鄭在泳,樸寶英,吳達(dá)洙,卓在勛,柳賢靜,柳德煥,陳慶,尹均相《職場(chǎng)大翻身》改編自李慧林的同名小說(shuō)，曾執(zhí)導(dǎo)過(guò)《創(chuàng)可貼》的導(dǎo)演鄭基勛親自改寫了劇本并執(zhí)導(dǎo)，聯(lián)同演技級(jí)人馬演員鄭在泳、新生代人氣女星樸寶英、老戲骨吳達(dá)秀、裴成宇、柳德煥等實(shí)力派連袂主演。電影講述一名體育報(bào)社演藝部記者在采訪現(xiàn)場(chǎng)孤軍奮戰(zhàn)的成長(zhǎng)故事。電影中樸寶英飾演的新人實(shí)習(xí)記者「杜麗熙」在報(bào)道娛樂(lè)事件的過(guò)程中卷入新聞的漩渦而逐漸鍛煉成長(zhǎng)。鄭在泳飾演的是樸寶英的上級(jí)「河在觀」，是娛樂(lè)部的「定時(shí)炮彈」不知道何時(shí)就會(huì)「爆炸」，兩人會(huì)有怎樣的合作火花也令影迷非常期待。 杜麗熙（樸寶英飾）是社會(huì)新鮮人的代表，為了在戰(zhàn)場(chǎng)一樣的職場(chǎng)中生存下來(lái)而絞盡腦汁費(fèi)勁心理，然而卻因?yàn)闆](méi)有經(jīng)驗(yàn)而屢屢闖禍。她夢(mèng)想著成為成功職場(chǎng)女性，高喊著有熱情就有一切的口號(hào)，然而現(xiàn)實(shí)卻是手里的每件事都搞砸。杜麗熙作為見(jiàn)習(xí)記者開始了工作，本以為只要進(jìn)了公司人生就會(huì)變得一帆風(fēng)順，但她卻遇到了像“定時(shí)炸彈”一樣的上司（鄭在泳飾），第一天上班就被安排出去外采，什么都不懂的她只能跌跌撞撞地自己摸索，而意料之外的種種困難讓她想到辭職。