分享你的嬌妻

★ 0.3 播放:48萬 更新:2026-04-25
主演:未知

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劇情簡(jiǎn)介

人氣佳作

壞媽媽

米拉·庫尼斯,凱瑟琳·哈恩,克里斯汀·貝爾,克里斯蒂娜·艾伯蓋特,賈達(dá)·萍克·史密斯,安妮·瑪莫羅,烏娜·勞倫斯,恩杰伊·安東尼,大衛(wèi)·瓦爾頓,克拉克·杜克,杰伊·埃爾南德斯,維德爾·皮爾斯,莉亞·麥肯德里克,梅根·弗格森,萊爾·布羅卡托,旺達(dá)·塞克絲,凱德·曼斯菲爾德·庫克西,J·J·瓦特,安·馬奧尼,薩曼莎·博利厄,唐娜·杜普蘭提爾,克莉絲緹娜·德蘿莎,揚(yáng)·費(fèi)爾德曼,杰倫·摩爾

曼克

加里·奧德曼,阿曼達(dá)·塞弗里德,莉莉·柯林斯,查爾斯·丹斯,艾利斯·霍華德,湯姆·派福瑞,塔彭絲·米德爾頓,湯姆·伯克,杰米·麥克沙恩,萊文·蘭賓,托比·萊昂納德·摩爾,山姆·特勞頓,約瑟夫·克羅斯,艾維·約斯特,亞當(dāng)·沙皮羅,費(fèi)迪南德·金斯利,保羅·??怂?娜塔莉·丹尼斯·斯皮爾,里克·帕斯夸隆,保羅·卡拉夫特斯,克里斯蒂安·普倫蒂斯,約翰·李·艾姆斯,金斯頓·凡爾內(nèi)斯,克萊格·羅伯特·揚(yáng),賈可琳·貝瑟尼,卡米爾·蒙哥馬利,克雷格·韋茨巴赫爾,喬安妮·湯姆森,達(dá)娜·林恩·拜倫,斯圖瓦特·斯科爾頓,克里斯

復(fù)仇女孩

貝拉·索恩,米基·洛克,切德·弗斯特,Glen Gould,蘭內(nèi)特·瓦雷

上帝陰影下

馬克·奧布萊恩,杰奎琳·拜爾斯,Shaun Johnston,喬什·克魯達(dá)斯,阿德里安·霍夫,戴維·哈索姆,Cara Azevedo

導(dǎo)演精選

柏林綜合癥

  澳大利亞攝影記者克萊爾(泰莉莎·帕爾墨 Teresa Palmer 飾)在柏林度假時(shí)邂逅了當(dāng)?shù)啬凶影驳希R克思·雷邁特 Max Riemelt 飾),一見鐘情的兩人共度春宵,激情過后意想不到的危險(xiǎn)來臨,克萊爾醒來時(shí)發(fā)現(xiàn)自己被安迪反鎖在家中,而安迪似乎并不打算讓她離開……

斷魂小丑

  故事發(fā)生在萬圣節(jié)的當(dāng)晚,塔拉(Jenna Kanell 飾)和道恩(Catherine Corcoran 飾)醉醺醺的從一個(gè)派對(duì)中離開,走在清冷的大街上,兩人打算去一家披薩店弄點(diǎn)吃的,一個(gè)小丑打扮的男人尾隨她們也進(jìn)入了店里,雖然小丑的樣貌十分可怖,但個(gè) 性似乎還挺可愛的,除了他把店里的廁所弄的一團(tuán)糟,氣炸了店主?! ≈?,塔拉和道恩離開了店里,塔拉進(jìn)入了一間公寓上廁所,道恩在路邊等她,小丑再度出現(xiàn)在了她的身后,這一次,小丑想做的便不僅僅是逗她笑這么簡(jiǎn)單了。小丑打暈了塔拉,當(dāng)塔拉再度醒來時(shí),映入眼簾的,是被倒掛的道恩和在一邊手持電鋸的小丑。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster