交換：朋友夫婦的快樂(lè)2

超級(jí)火山

當(dāng)一座超級(jí)火山威脅到夏威夷島時(shí)，一組專家必須與時(shí)間賽跑，拯救那些在熔巖路徑上的人，并永遠(yuǎn)阻止它。

鬼三驚2

　　《尸還魂》血性男子阿良發(fā)現(xiàn)女友桂兒和另一個(gè)男人波蘇搞在一起，憤怒的阿良駕駛機(jī)車(chē)追趕，結(jié)果不慎車(chē)禍身亡。葬禮的第三天，平日的狐朋狗友悉數(shù)到場(chǎng)，連桂兒和波蘇也到場(chǎng)上香，而靈異事件也突然發(fā)生。在此之后，眾人尋找阿良丟失的手機(jī)，阿良的鬼影卻接連出現(xiàn)；《獻(xiàn)陰琴》某女子教會(huì)學(xué)校，傳說(shuō)曾有一個(gè)為情而死的修女，她死后變成無(wú)頭女鬼，在夜晚彈著動(dòng)聽(tīng)的鋼琴。而如果虔誠(chéng)地向他許愿，很快就會(huì)夢(mèng)想成真。但是這也伴隨著可怕的危險(xiǎn)。充滿嫉妒和愛(ài)欲的女孩，為情涉入險(xiǎn)地；《祭紙?jiān)芳堅(jiān)昀习宓睦掀胖橹橥庥鰵w來(lái)，對(duì)老公大獻(xiàn)殷勤。常被欺負(fù)的小伙計(jì)阿默剛好從網(wǎng)上發(fā)現(xiàn)一則車(chē)禍消息，而這個(gè)消息讓他大為震驚！恐怖不眠夜，陰雨連綿。

皆為好事

　　Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

機(jī)械怪獸