愛奴 愛奴

? 9.3 播放：72萬 2026-04-23

教書匠之女愛奴（何莉莉飾）被拐賣到妓院“四季春”，因其容貌脫俗，個性剛烈，遂得鴇母春姨（貝蒂飾）另眼相看。 春姨穩(wěn)坐四季春第一把交椅，與同僚包虎（佟林飾）共同經(jīng)營。包虎一直深愛春姨，卻無法如愿。只因春姨癖好獨特，專好女色，嗜女如命。愛奴的出現(xiàn)讓春姨眼前一亮，遂百般威逼利誘，要將其培養(yǎng)成頭牌。 為保清白，愛奴誓死不從。勢單力薄，春姨強迫其接客，愛奴慘遭眾豪紳蹂躪。身心俱創(chuàng)的愛奴只求一死，卻被啞巴少年救下，原來少年只是裝啞，實則另有苦衷。 二人潛逃被抓，少年為救愛奴而死。愛奴為復(fù)仇，于是違心就范。一面討好春姨，投其所好成為其同性愛侶。一面隨其學(xué)習(xí)武功奇技。孤女的復(fù)仇計劃能否成功？ 楚原導(dǎo)演奇情武俠的開山之作，精彩絕倫，成為國際電影史上的一枝奇葩。

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劇情提要

教書匠之女愛奴（何莉莉飾）被拐賣到妓院“四季春”，因其容貌脫俗，個性剛烈，遂得鴇母春姨（貝蒂飾）另眼相看。 春姨穩(wěn)坐四季春第一把交椅，與同僚包虎（佟林飾）共同經(jīng)營。包虎一直深愛春姨，卻無法如愿。只因春姨癖好獨特，專好女色，嗜女如命。愛奴的出現(xiàn)讓春姨眼前一亮，遂百般威逼利誘，要將其培養(yǎng)成頭牌。 為保清白，愛奴誓死不從。勢單力薄，春姨強迫其接客，愛奴慘遭眾豪紳蹂躪。身心俱創(chuàng)的愛奴只求一死，卻被啞巴少年救下，原來少年只是裝啞，實則另有苦衷。 二人潛逃被抓，少年為救愛奴而死。愛奴為復(fù)仇，于是違心就范。一面討好春姨，投其所好成為其同性愛侶。一面隨其學(xué)習(xí)武功奇技。孤女的復(fù)仇計劃能否成功？ 楚原導(dǎo)演奇情武俠的開山之作，精彩絕倫，成為國際電影史上的一枝奇葩。

幕后花絮

血觀音

 棠家一脈花開，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽話，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線，青春初豐滿的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線的土地開發(fā)計劃出現(xiàn)變數(shù)，好友議員一家遭滅門慘案，以血掀變，彌陀鄉(xiāng)勢力重新洗牌，暗潮涌動，臺北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.