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古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝我們的天空，我們的河
Mahmoud Abu Abbas,Myriam Abbas,達(dá)麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達(dá),Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇本能反應(yīng)
安東尼·霍普金斯,小庫(kù)珀·古丁,唐納德·薩瑟蘭雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林老板和小可愛(ài)
薩爾瓦托雷·埃斯波西托,Fabiana Martucci,Antonio Milo,希羅·埃斯珀斯托,薩爾瓦多·斯特里亞諾,Riccardo Cicogna,Gianantonio Mellone Martinone,阿涅洛·阿雷納影視排行
錯(cuò)體姻緣
莫少聰,翁虹,午馬乾隆年間國(guó)泰民安，百姓安居樂(lè)業(yè)欣欣向榮過(guò)的是好不快活?！ 』噬显谟笆绦l(wèi)高迪的陪同下前往江南體恤民情。在皇上出宮后一長(zhǎng)陰謀正在展開(kāi)，一位野心勃勃的王爺竟然暗地與當(dāng)?shù)睾趲凸唇Y(jié)一路追殺皇帝?！ ≡谇巴葜莩堑穆飞嫌錾狭藦木┏翘踊殡x家的野蠻格格賈仁。經(jīng)過(guò)一場(chǎng)“惡斗”后三人決定一同上路，在惠州城的集市遇到了在集市中擺擂臺(tái)的“洋鬼子”元宵。元宵在比試中輸給了賈仁格格執(zhí)意要讓賈仁格格收他為徒。三人想盡辦法卻無(wú)法擺脫元宵，無(wú)奈只能收下元宵為徒。半夜在惠州城的某客棧，突然出現(xiàn)蒙面黑衣人刺殺皇帝，還好刺客技藝不精，皇帝沒(méi)有受到半點(diǎn)傷害。高迪決定四人連夜趕往他的老家避難?！ ≡诟叩霞抑?，皇上遇到高迪的表妹惠喬，皇上對(duì)惠喬一見(jiàn)傾心，賈仁格格也慢慢的愛(ài)上了那個(gè)英俊風(fēng)流的侍衛(wèi)高迪。賈仁格格與元宵在回家的路上遇到一對(duì)奇丑無(wú)比的戀人。兩人因?yàn)橄嗝渤舐阅赀^(guò)四十還沒(méi)成家。善良的賈仁格格便與眾人一起幫助這對(duì)苦命鴛鴦籌辦婚禮，終于讓這對(duì)苦命戀人有情人終成眷屬?；噬吓c惠喬，高迪與賈仁在這段日子感情也逐漸升溫。豈料此時(shí)皇上與惠喬被蜻蜓幫綁架，高迪與賈仁心急如焚，托朋友四處打聽(tīng)皇上與惠喬的下落?！ 〗壖芑噬系恼球唑褞偷膸椭鞣蛉爽?，此女人也曾經(jīng)是皇上的愛(ài)人，當(dāng)年為了皇帝背叛幫會(huì)。由愛(ài)生恨，此女對(duì)皇上當(dāng)年棄之不顧的事耿耿與懷。但是在與皇帝相處的這段日子里舊情復(fù)燃并偷偷的通知高迪皇帝被囚禁之處?！ ≡谂c眾人的幫助下高迪終于找到了皇帝的所在，但在這個(gè)時(shí)候元宵露出了狐貍尾巴，眾人沒(méi)有想到元宵竟然是蜻蜓幫的人，在這個(gè)關(guān)鍵時(shí)候元宵倒戈相向。所幸的是元宵的背叛并沒(méi)有個(gè)給大家?guī)?lái)什么麻煩，最后還是將皇帝從蜻蜓幫的魔爪之中救出。通過(guò)這次危難四人的感情更是牢固，最后成就了這一段錯(cuò)體姻緣。
人肉炸彈
莉斯?fàn)枴ぐ⒗账?蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾九個(gè)朋友，去森林露營(yíng)過(guò)程中他們經(jīng)歷了一個(gè)瘋狂的奪命之夜。派對(duì)醒來(lái)時(shí)，九個(gè)人胸前綁著自殺式炸彈，倒計(jì)時(shí)鐘上都有不同的時(shí)間。當(dāng)他們發(fā)現(xiàn)可以通過(guò)殺死對(duì)方來(lái)“占用”對(duì)方的時(shí)間時(shí)，自相殘殺開(kāi)始了。
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀(jì)80年代發(fā)丘傳人賈凡（戴向宇 飾）利用祖?zhèn)髅匦g(shù)智斗摸金校尉吳老大（杜奕衡 飾）守護(hù)發(fā)丘老祖之墓的熱血故事，表現(xiàn)了邪不壓正的主題思想。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.