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阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins這部歷史劇以1945年春季二戰(zhàn)尾聲為背景，聚焦十歲少年南寧。其父遠征戰(zhàn)場，少年竭盡所能助母養(yǎng)家：獵捕海豹、暗夜捕魚、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。
15年 15 Jahre
漢娜·赫茨施普龍珍妮曾被譽為“鋼琴天才”，但她因冤案而被判入獄15年。當(dāng)她遇到有歌唱天賦的敘利亞戰(zhàn)爭難民奧馬爾時，她同意在電視音樂選秀節(jié)目中為他彈鋼琴伴奏。在她的牢獄生活期間，她的初戀弗萊舍成為了一名流行歌星，并擔(dān)任了音樂選秀比賽的評委，而珍妮和奧馬爾則是其中很有望勝出的選手之一。在獄中度過這些痛苦的歲月后，現(xiàn)在是珍妮做出選擇的時刻：是報復(fù)，還是幸福和未來？
魔鬼名校
Latkamon Pinrojkirati,Anchalee Saisoontorn,加圖蓬·丹古來Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.
陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰講述安倍晴明學(xué)生時代的故事。在陰陽寮，被譽為天才的安倍晴明與其他學(xué)生截然不同，他是個有些討人厭且對成為陰陽師毫無興趣的怪人。 有一天，晴明受到貴族源博雅的委托，解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突，但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索，引發(fā)了卷入平安京的邪惡陰謀和詛咒的動亂。
武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶大革族四大勇士之元泰、勇士昆布倒戈賣國投降，元泰引西暌族和南離皇族聯(lián)軍攻革，大革族族皇自殺身亡！蔡八兒提著七孔刀逃亡，在山林里救了被狼群養(yǎng)大的小男孩，蔡八兒為小男孩取名祖澈，蔡八兒和祖澈隱居十五年后，祖澈長練得一手好刀法，光復(fù)大革國。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.