情色小野貓

0.4 播放:20萬 更新:2026-04-28

姐姐因感情上受到挫折后,變成了黑寡婦般的殺人狂。妹妹從美國返港發(fā)展,不知 姐姐由此嗜好,他們均對住在隔壁的倩仔發(fā)生興趣。吳家麗的好友為了告知姐妹兩 人的心事,故意探訪秦豪,卻發(fā)現(xiàn)秦豪失蹤。警探吳大維進行周密的調查,發(fā)現(xiàn)了可疑之處。情理之中,意料之外,銀幕上首現(xiàn)人妖與男人造愛的情景。 姐姐(吳家麗)因感情上受到挫折之后,變成了;黑寡婦般的殺人狂。妹妹(徐濠瑩)從美國返港發(fā)展,不知姐姐有些嗜好,她們均對住在陋壁的靚仔(秦豪)發(fā)生興趣。吳家麗的好友(伍詠薇)為了告知姐妹兩人的心事,故意探訪秦豪,卻發(fā)現(xiàn)秦豪失蹤。警探吳大維進行周密的調查,發(fā)現(xiàn)了可疑之處。情理之中,意料之外,銀幕上首現(xiàn)人妖與男人造愛的場面,人妖妃嬙友情出演?! ?995年上映的《四級殺人狂》,堪稱港史最大膽我該死,原因不是因為吳家麗的嗜血女殺人魔形象驚悚,亦不是落選亞姐曾慶云的處女;凸 ;別演出,也不是老牌肉彈余莎莉的再度露點奉獻,更不是出位女王李莉莉的風騷誘惑凸點,而是港史銀幕上首次出現(xiàn)人妖與男人造愛的場面,人妖妃嬙友情出演,這一幕堪稱港三史上最激場面,前無古人后無來者,而此幕更是放在片末壓軸出場,可見當時電影的全部戲寶都壓在了這一幕...   

即刻觀影

劇情賞析

姐姐因感情上受到挫折后,變成了黑寡婦般的殺人狂。妹妹從美國返港發(fā)展,不知 姐姐由此嗜好,他們均對住在隔壁的倩仔發(fā)生興趣。吳家麗的好友為了告知姐妹兩 人的心事,故意探訪秦豪,卻發(fā)現(xiàn)秦豪失蹤。警探吳大維進行周密的調查,發(fā)現(xiàn)了可疑之處。情理之中,意料之外,銀幕上首現(xiàn)人妖與男人造愛的情景。 姐姐(吳家麗)因感情上受到挫折之后,變成了;黑寡婦般的殺人狂。妹妹(徐濠瑩)從美國返港發(fā)展,不知姐姐有些嗜好,她們均對住在陋壁的靚仔(秦豪)發(fā)生興趣。吳家麗的好友(伍詠薇)為了告知姐妹兩人的心事,故意探訪秦豪,卻發(fā)現(xiàn)秦豪失蹤。警探吳大維進行周密的調查,發(fā)現(xiàn)了可疑之處。情理之中,意料之外,銀幕上首現(xiàn)人妖與男人造愛的場面,人妖妃嬙友情出演?! ?995年上映的《四級殺人狂》,堪稱港史最大膽我該死,原因不是因為吳家麗的嗜血女殺人魔形象驚悚,亦不是落選亞姐曾慶云的處女;凸 ;別演出,也不是老牌肉彈余莎莉的再度露點奉獻,更不是出位女王李莉莉的風騷誘惑凸點,而是港史銀幕上首次出現(xiàn)人妖與男人造愛的場面,人妖妃嬙友情出演,這一幕堪稱港三史上最激場面,前無古人后無來者,而此幕更是放在片末壓軸出場,可見當時電影的全部戲寶都壓在了這一幕...   

編輯推薦

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

情感價值

雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol

  姐妹Nora和Agnes與疏遠的父親——魅力非凡的導演Gustav重聚。這位昔日名導試圖讓舞臺劇演員Nora參演自己寄予厚望的復出之作,卻遭女兒拒絕。Nora很快發(fā)現(xiàn),父親已將她的角色轉給了一位野心勃勃的好萊塢新星。突如其來的變故迫使兩姐妹直面與父親的復雜糾葛,而這位美國明星的加入,更讓本就微妙的家庭關系陷入新的波瀾。

鏡中人

英迪婭·埃斯利,詹森·艾薩克,佩內洛普·米契爾,米拉·索維諾,哈里森·吉爾伯特森,克里斯汀·哈里斯,亞當·哈蒂格,康納·彼得森,辛蒂·邁斯科

  十八歲女孩瑪麗亞(英迪婭·埃斯利 飾)經常受到同學欺負,使她變得自卑,害怕。有一天她發(fā)現(xiàn)鏡子里的另一個她,艾蘭?! “m(英迪婭·埃斯利 飾)既勇敢又無畏,幫助瑪麗亞開啟了復仇之路......

傲嬌公主的奇幻冒險

馬雷克·蘭博拉,安娜·菲亞洛娃,Ales Procházka

黑白童話《驕傲的公主》是捷克電影史上收視率最高的電影之一。《被懲罰的驕傲》是博澤娜·內姆科娃最美麗的童話故事之一。難怪有史以來最成功的捷克真人童話電影就是基于它改編的。這是一部動畫翻拍。克拉索米拉住在一個金籠子里。她幼稚地驕傲,她的刻薄顧問也支持她。他們想把她嫁給一個軟弱的人,保住權力。然而,他們遇到了鄰國正義的國王米羅斯拉夫。他愛上了克拉索米拉公主,決定治愈她的驕傲。作為一名園丁,他設法做到了。然后,在王國顧問的憤怒面前,他們一起逃跑了。他們的道路充滿了狂野的冒險,這讓他們更加親密??死髅桌恢浪优艿膱@丁是國王。她在大結局中發(fā)現(xiàn)了。她原諒米羅斯拉夫否認自己的真實出身,并嫁給了他。顧問們被趕走了,愛情勝利了。

他人即地獄(日影)

八村倫太郎,柳俊太郎,岡田結實,三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣

  「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを岡田が演じる。

狼蛛

約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德

  本片是美國50年代一部優(yōu)秀的科幻片。導演Jack Arnold運用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運。  經典科幻片,強烈推薦!