情欲電影院
名為“family”的這家電影院整日放映色情電影,馬伊達(dá)一家經(jīng)營著電影院也住在電影院里。影院的放映廳以及走廊上每日都聚集著同性戀者、娼妓和雞奸者。馬伊達(dá)的父親有了外遇并且有了私生子,母親弗羅傷心至極,為此事上法院結(jié)果是敗訴。收養(yǎng)來的弟弟阿蘭使女友梅麗懷孕了,別無他法的他們只得商量著結(jié)婚的事宜。而她的妹妹杰瑞爾整日無所事事在影院當(dāng)檢票員。舅舅羅納爾德舉止像個(gè)女人,卻娶妻生子。丈夫蘭多負(fù)責(zé)家中瑣事,接送孩子約納斯上下學(xué)。一日正值放映電影時(shí)放映廳闖進(jìn)一只羊,眾人將之趕了出去,母親弗羅念才念叨道電影院是該修整的時(shí)候了.......
在線看
同款熱播
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學(xué)院畢業(yè)生喬德回到家鄉(xiāng)準(zhǔn)備司法考試,但做殯葬業(yè)的父親卻生病了,怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因?yàn)闊o法接受前女友的死亡,想方設(shè)法希望能再跟她見上一面,因此來幫喬德的忙。究竟在這個(gè)生與死交會(huì)的地方,他們會(huì)遇見什么樣的故事呢?
德古拉2025
阿多尼斯·坦察,Oana Maria Zaharia,加布里埃爾·斯帕休,Alexandra Harapu,Ana Dumitrascu,亞歷山德魯·達(dá)比加,Claudiu Dumitru,謝爾班·帕夫盧,Andrada Balea,伊林卡·馬諾拉切,尼科丁·恩古里亞努,艾麗娜·塞爾班,Carina Lapusneanu,Marian Adochitei,Horea Avram,Alexandra Caras,Doru Catanescu,米海·科瑪羅尤,Alexandru Georgescu,卡麗娜·齊一位扮演德古拉的演員在餐廳表演中臨陣脫逃,引發(fā)了一場混亂的追逐戰(zhàn)——游客與店主們集體圍剿這名"吸血鬼"。與此同時(shí),AI軟件生成著德古拉故事的萬花筒:從社會(huì)評(píng)論到未來主義改編,編織出重新定義這一傳奇角色的敘事圖譜。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂人,古原靖久,虎牙光揮セクシー女優(yōu)の明日花キララが主演するアクション。無法者の集団「クレイジードッグス」が支配する村に、人間の身體能力を超越した力を発揮する特殊な強(qiáng)化スーツに身を包んだ美女「アイアンガール」が現(xiàn)れる。アイアンガールは失った過去の記憶を探して旅しており、村の古文書には「鉄の救世主が村の危機(jī)を救う」と記されていた。アイアンガールを伝説の存在と信じた村人たちは、クレイジードッグスと戦うため立ち上がるが、その戦いの中で意外な真実が明らかになる。音楽を人気バンド「CASCADE」のMASASHIが擔(dān)當(dāng)。
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅卡洛斯在一家銀行支行當(dāng)總經(jīng)理,最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天,他送兩個(gè)孩子馬科斯和莎拉上學(xué),卻發(fā)生了改變他人生命運(yùn)的事。嶄新的汽車上莫名其妙地出現(xiàn)一部手機(jī),一個(gè)陌生男人打來電話,號(hào)稱卡洛斯的車?yán)锉话仓昧艘活w炸彈。而恰在此時(shí),一個(gè)神秘的黑衣摩的男尾隨而至。這是一個(gè)惡作劇,還是真實(shí)的綁架勒索?事情的緣起何故,卡洛斯一家命運(yùn)又該如何?這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動(dòng)魄……
月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥對(duì)于16歲的女孩Jung-hee來說,一年中最困難的一天是她祖母的陣亡將士紀(jì)念日。鄭熙通常很難和酗酒的母親相處,但在這一天,她大喊大叫的祖父的妹妹來了。她每年都會(huì)責(zé)罵正熙的母親和叔叔,問她為什么為自殺的祖母做追悼會(huì),而不考慮找到離家出走的祖父。自從他的祖父在正熙出生的那天失蹤后,正熙不知怎么地覺得這是她的錯(cuò)。所以Jung-hee決定去冒險(xiǎn),在那里她可以解開所有的秘密,結(jié)束她母親的青春期。