我嫁了個怪蜀黍!

3.4 播放:75萬 更新:2026-04-30

這部片可以是加了幽默的《Akira》,添了人情味的《RoadRunner》,動畫版的《低俗小說》(Pulp暫無內容Fiction)。一個關于一對新婚夫婦在新婚之夜發(fā)生的溫馨故事。丈夫格蘭特(Grant)突然得到奇異的超自然力量,與此同時妻子凱麗(Kerry)窘于應付。無論何時,只要Grant一想什么,就會變?yōu)楝F實,盡管他并不知道這些魔力來自哪里。他從此成為清談節(jié)目的風云人物。拉森·扎爾斯(Larson暫無內容Giles),笑笑公司(Smile暫無內容Corp.)老總,一個Ted暫無內容Turner型媒體巨頭,派遣他的私家軍團,由粗暴但無腦的菲古森(Ferguson)上校率領,去綁架格蘭特,以便霸占全球媒體收視率。接下來就是電影史上最暴力和奇怪的對戰(zhàn)之一。除了多個足以開罪所有人的極端暴力畫面,還有曾被稱為“電影中有史以來出現的最怪異和滑稽的性場面”。

即刻觀影

劇情賞析

這部片可以是加了幽默的《Akira》,添了人情味的《RoadRunner》,動畫版的《低俗小說》(Pulp暫無內容Fiction)。一個關于一對新婚夫婦在新婚之夜發(fā)生的溫馨故事。丈夫格蘭特(Grant)突然得到奇異的超自然力量,與此同時妻子凱麗(Kerry)窘于應付。無論何時,只要Grant一想什么,就會變?yōu)楝F實,盡管他并不知道這些魔力來自哪里。他從此成為清談節(jié)目的風云人物。拉森·扎爾斯(Larson暫無內容Giles),笑笑公司(Smile暫無內容Corp.)老總,一個Ted暫無內容Turner型媒體巨頭,派遣他的私家軍團,由粗暴但無腦的菲古森(Ferguson)上校率領,去綁架格蘭特,以便霸占全球媒體收視率。接下來就是電影史上最暴力和奇怪的對戰(zhàn)之一。除了多個足以開罪所有人的極端暴力畫面,還有曾被稱為“電影中有史以來出現的最怪異和滑稽的性場面”。

編輯推薦

麥哲倫

蓋爾·加西亞·貝納爾,達里奧·亞斯貝克·貝納爾,拉斐爾·莫雷斯,托馬斯·阿爾韋斯,保羅·卡拉特雷,羅尼·拉扎羅,Rafa Siguion-Reyna,Ivo Arroja,麥克斯·格羅斯·馬延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦爾德馬爾·桑托斯,?ngela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay

麥哲倫是一位航海家,他秉持人道主義精神和對正義的信仰,反抗國王的權力。然而,當他最終掌管香料艦隊,完成首次環(huán)球航行后,他的旅程又將如何揭開他自身的謎團呢?

偽術奇才

彼得洛·卡斯特里圖,朱莉婭·米切利尼,安德烈·阿坎杰利,Pierluigi Gigante,愛德華多·佩謝,克勞迪奧·桑塔瑪利亞,奧羅拉·喬維納佐,法比齊奧·費拉卡尼,Mauro Aversano,弗朗切斯科·拉·曼蒂亞,Michael Schermi,Carlo Tozzi

A noir portrait of Italy in the Seventies.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

遇事別沖動

鹿超,宋杰,宋媛

一塊寶地遭人惦記、一枚軍功章引賊來、十萬現金不翼而飛,夜半老漢離奇昏迷,三名陌生男子橫躺家中。是陰謀?是誤會?層層烏龍背后,深藏的是榮譽執(zhí)念與親情渴望。當真相揭開,一切竟源于最樸素的執(zhí)念與最陰差陽錯的誤會……榮譽與親情,最終將如何安放?

人皮燈籠

梁家輝,邱淑貞,黃光亮,張耀揚,苑瓊丹,黃斌,林迪安,樂韻

  1963年,一伙黑幫分子在老大的指使下將一對情人殘忍殺害,男子被埋在“十世受苦,不得超生”的陰穴處;而女子被扒皮,皮罩在燈籠上,永世不得超生?! ?993年,蠱惑仔阿輝(梁家輝 飾)終日倒霉透頂,而且身邊連連發(fā)生奇怪靈異世間。阿輝在古董攤買下一古董表,卻被一股力量莫名牽引到一棟廢宅里,半夢半醒間見自己與一個叫小芙蓉的藝旦(邱淑貞 飾)親熱的場面?! ≥x在醫(yī)院被一鬼魂提醒只有四婆能夠解救自己,于是他前往找四婆。四婆為他問米,他從盆中之水漸漸看到了自己的前世悲慘遭遇……

復仇公主斯嘉麗

蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子

在戰(zhàn)火紛飛的中世紀王國中,手握利劍的斯嘉麗公主為替父報仇毅然踏上征途,卻以失敗收場。當她再次醒來時,發(fā)現自己身處神秘的“死者之國”。在那里,她邂逅了一位來自現代的理想主義青年;他的善意與慈悲,動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現身,斯嘉麗必須做出抉擇:是繼續(xù)執(zhí)念于復仇,還是尋找到仇恨之外的人生意義。