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永遠(yuǎn)十六歲
凱拉·奈特莉,科洛·莫瑞茲,山姆·洛克威爾,艾麗·坎伯爾,Tiya Sircar,格瑞辰·摩爾,凱特琳·德弗,馬克·韋伯,丹尼爾·祖瓦圖,Dylan Arnold,Tony Doupe,Basil Harris,Jasmin Savoy Brown,Sara Coates,Sara Lynne Wright77號(hào)頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio噴火女郎
邱淑貞,鄭丹瑞,鄭裕玲,葉德嫻,朱江,黎小田,文雋,黎彼得,程?hào)|,陳慧儀,苑瓊丹,李兆基,劉松仁摩登神探
鄭則士,廖偉雄,羅烈有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠(chéng)奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達(dá)芙妮·澤利,邁爾斯·古鐵雷斯-賴?yán)?Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White同類推薦
歌舞大王齊格飛
威廉·鮑威爾,瑪娜·洛伊,路易絲·賴納,弗蘭克·摩根羅伯特.Z.倫納德導(dǎo)演的這部影片以百老匯最大的歌舞團(tuán)——齊格菲歌舞團(tuán)的創(chuàng)辦人佛羅倫斯.齊格菲的生平為題材,是三十年代好萊塢歌舞片黃金時(shí)代的重要代表作之一。當(dāng)時(shí)獲得了第九屆奧斯卡最佳影片等三項(xiàng)大獎(jiǎng),女星路易絲.萊娜演出齊格菲的首任妻子,獲最佳女主角獎(jiǎng)。齊格菲年輕時(shí)是雜耍節(jié)目中表演的藝人。1893年到百老匯發(fā)展,建立了歌舞團(tuán)的知名度,1907年創(chuàng)辦了以美女盛裝演出大型歌舞著稱的齊格菲歌舞團(tuán),贏得歌舞大王的稱號(hào)。齊格菲一角由威廉.鮑威爾擔(dān)綱演出,男女主角都表演得很好。
孽欲之殤
Karanvir Sharma,Mannara Chopra,Shraddha Das一個(gè)花花公子搬到海濱別墅撰寫犯罪報(bào)道,在那兒他遇上一個(gè)女孩并與她墜入愛河。女孩對(duì)這段感情非常認(rèn)真,但男人只把它當(dāng)做逢場(chǎng)作戲。女孩有一個(gè)姐姐,她時(shí)常與其分享她的感情。然而她并不知道,她的男友與姐姐也在交往。在一次撞見他們上床交歡后,女孩徹底瘋了,決定伺機(jī)報(bào)復(fù)。
鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗音樂家西門(蔡楓華飾)生性風(fēng)流不羈,乘帶領(lǐng)樂團(tuán)赴韓演奏之便,探望開設(shè)跆拳道館之好友大口(王青飾)。大口投其所好,贊成他在韓國(guó)盡情開心,唯獨(dú)不能打其妹阿淑(李玄麗飾)主意。但機(jī)緣巧合之下西門巧遇阿淑,一見鐘情,阿淑更以身相許。誰(shuí)知西門對(duì)阿淑只是抱玩弄心情,西門假稱要返香港,實(shí)則回到大口處向其炫耀其風(fēng)流史。恰巧阿淑來(lái)到探望兄長(zhǎng),聞言傷心欲絕,大口卻氣到七竅生煙。淑獨(dú)自躲到雪山,西門冒雪崩危險(xiǎn)尋覓阿淑。結(jié)果,兩人幾經(jīng)艱辛脫險(xiǎn)后,有情人終成眷屬。
邪惡護(hù)士2
蒼井空,Ricky Harun,Zidni Adam寂靜深夜,Selly(Violenzia Jeanette 飾)、Jack(Ricky Harun 飾)、Tando(Zidni Adam 飾)三名喜好刺激的青年男女駕駛機(jī)車飛馳在公路上,突然之間,Selly的機(jī)車失控,她摔倒在地,身受重傷,昏迷不醒,Jack、Tando連忙將其送往醫(yī)院。與此同時(shí),來(lái)自日本的女孩幸子(蒼井空 飾)正準(zhǔn)備和當(dāng)?shù)氐膶?dǎo)游外出游玩,誰(shuí)知卻不小心用車門夾上導(dǎo)游的手,語(yǔ)言本就不同的二人也慌慌張張前往醫(yī)院。不久之后,兩組人馬在這間有些陰森的醫(yī)院內(nèi)會(huì)合,隱隱約約中,一個(gè)留著長(zhǎng)發(fā)卻看不清面容的女人不時(shí)逡巡在幸子等人的周圍?! ?duì)于這幾個(gè)有些倒霉的青年來(lái)說(shuō),恐怖而又爆笑的夜晚正慢慢拉開序幕……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster