在線播放
劇情簡介
今天，哥打欺負(fù)，真ji。Kota竊取了Shinji在發(fā)明大賽中獲得的獎(jiǎng)牌。辛吉生氣了，去了Kotane的家，并從Kota的母親那里帶走了，但也沒有得到她母親的道歉。Shinji生氣了，他制造了一個(gè)時(shí)間塞子，這是個(gè)可以停止時(shí)間的裝置，然后回到Kota的母親那里。
導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
變鬼2
一群銀行劫匪從銀行逃出后,來到了
馬路天使1937
1930年代，小云、小紅（周璇）姐妹被人騙到上海賣給琴師和妓院老鴇夫婦，小云被迫做了暗娼，小紅年紀(jì)尚小，又天生有一副好嗓子，便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟，在她們對面，住的分別是報(bào)販老王和吹鼓手陳少平（趙丹）。因?yàn)殚e來無事時(shí)陳少平常同小紅對窗玩鬧，兩人漸生感情。 小紅賣唱時(shí)被流氓古成龍纏上，對方欲強(qiáng)霸她為妾，小紅找陳少平商量對策，兩人本想借助律師將正義伸張，不想律師雙眼只認(rèn)錢，無奈之下只得逃走，而這一過程中，老王對小云由憐生愛，可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落，放風(fēng)給古成龍，古成龍趕到小紅住處時(shí)，屋里只有她和小云，兩人生命危在旦夕。