善良的嫂子4

★ 4.0 播放：69萬(wàn) 更新：2026-05-02
主演：A kind sister-in-law 4 

2019年度最新韓國(guó)劇情電影，英文名：A kind sister-in-law 4 　　

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2019年度最新韓國(guó)劇情電影，英文名：A kind sister-in-law 4 　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

柏林危機(jī)

　　德國(guó)男星肯·杜肯自導(dǎo)自演的驚悚片處女作，精神創(chuàng)傷的精英戰(zhàn)士在前往柏林探望女兒的途中搭載了一名面善的攔車者，卻沒(méi)料到后者正醞釀著一起柏林恐怖襲擊。伴隨多次視角轉(zhuǎn)換和對(duì)善惡?jiǎn)栴}的拷問(wèn)，在逐步揭開(kāi)極端的意識(shí)形態(tài)深淵的同時(shí)，兩名主角最終將故事引向意外結(jié)局。

鬼影實(shí)錄：東京之夜

　　位于東京的某區(qū)，山野一家三口過(guò)著富庶自在的生活。2010年9月3日，姐姐春花（青山倫子 飾）從美國(guó)歸來(lái)，此前她在旅行中遭遇一場(chǎng)車禍，致令雙腿嚴(yán)重骨折。弟弟幸一（中村蒼 飾）是個(gè)開(kāi)朗陽(yáng)光的大男孩，他拿著新買的攝像機(jī)拍下了山野家生活的點(diǎn)點(diǎn)滴滴。由于父親公務(wù)繁忙，平時(shí)只有姐弟二人在家。平靜的日子并未持續(xù)太久，一絲不安便在屋子內(nèi)肆意彌漫。春花發(fā)現(xiàn)，每當(dāng)次日醒來(lái)床邊的輪椅便會(huì)發(fā)生移動(dòng)。為了探明真相，幸一決定在姐姐的臥房?jī)?nèi)安置攝像機(jī)，監(jiān)控夜晚的情況。在屏幕前，不可思議的景象接連發(fā)生，姐弟倆似乎也陷入惡魔的詛咒中，無(wú)法逃脫……　　本片為恐怖片《鬼影實(shí)錄》的日本版。