VN.024-K8傲嬌萌萌Vivian

1.6 播放：63萬 2026-04-29

神話懸疑

主演：未知

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淮文,鄧靖弘 Jinghong Deng,江萊,張躍濱,曾廣泉,司珂華,肖沅希,王軍,李榮博

宋真宗晚年，青春年少的包拯和好友公孫策，一同破獲一起塵封多年冤案。女主角月亮十多年前，全家被奸人所害，為了翻案，打聽到傳聞中陰陽鏡能斷是非真假，于是去墓地盜取，結(jié)果觸碰機(jī)關(guān)導(dǎo)致展昭被困，為了將其解救，必須破解地穴里的各種機(jī)關(guān)算術(shù)。一籌莫展的月亮剛好遇到聰慧過人的包拯，巧設(shè)伎倆利用鬼怪傳說，想引包拯去地穴救展昭。但包拯心中秉持正義、公平，從不相信鬼怪傳說，救出展昭后，月亮拿到陰陽鏡后，坦白自己一家遭奸人所害的事實，兇手還在逍遙法外。為了翻案包拯，利用陰陽鏡的傳說，使得案件重演，兇手心緒恐懼坦白從寬，認(rèn)罪伏法。從此，年少的包拯一舉成名，所代表的公平、公正和正義的形象，慢慢被民眾熟知，被民眾所擁戴。

北部叢林

尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克

　　Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster