晚娘2012(上)

2.8 播放：41萬 更新：2026-04-23

真達拉（馬里奧?毛瑞爾暫無內(nèi)容Mario暫無內(nèi)容Maurer暫無內(nèi)容飾）的母親因為難產(chǎn)去世，痛失最愛的父親將他視為這一切的罪魁禍首。祖母的阻撓讓真達拉免于被扼殺于襁褓的命運，卻無法幫他逃過其后的日子父親各種的殘酷手段與言語的折磨。后來，父親娶了新的妻子華姨，并生了一個名叫喬的女兒。父親把所有的寵愛都給了喬（西野翔暫無內(nèi)容Sh?暫無內(nèi)容Nishino暫無內(nèi)容飾），從小給她灌輸著仇恨真達拉的觀念。母親去世后父親像變了一個人一樣，過起了荒淫無度的生活，真拉達親眼目睹這父親變態(tài)的性愛游戲，在這種充滿欲望的生活氛圍中長大。一天，父親帶著性感成熟的新歡晚娘回到家中，就在真拉達被誣陷強暴妹妹喬而被趕出家門的時候，晚娘發(fā)現(xiàn)原來自己早已迷戀上了年輕的真拉達，一場不羈的倫理糾葛就此展開…

播放通道

詳細簡介

真達拉（馬里奧?毛瑞爾暫無內(nèi)容Mario暫無內(nèi)容Maurer暫無內(nèi)容飾）的母親因為難產(chǎn)去世，痛失最愛的父親將他視為這一切的罪魁禍首。祖母的阻撓讓真達拉免于被扼殺于襁褓的命運，卻無法幫他逃過其后的日子父親各種的殘酷手段與言語的折磨。后來，父親娶了新的妻子華姨，并生了一個名叫喬的女兒。父親把所有的寵愛都給了喬（西野翔暫無內(nèi)容Sh?暫無內(nèi)容Nishino暫無內(nèi)容飾），從小給她灌輸著仇恨真達拉的觀念。母親去世后父親像變了一個人一樣，過起了荒淫無度的生活，真拉達親眼目睹這父親變態(tài)的性愛游戲，在這種充滿欲望的生活氛圍中長大。一天，父親帶著性感成熟的新歡晚娘回到家中，就在真拉達被誣陷強暴妹妹喬而被趕出家門的時候，晚娘發(fā)現(xiàn)原來自己早已迷戀上了年輕的真拉達，一場不羈的倫理糾葛就此展開…

同類推薦

全職

勞爾·卡拉米,安妮·蘇亞雷斯,杰納維夫·馬尼奇,Nolan Arizmendi,Sasha Lemaitre Cremaschi,西里爾·蓋伊,露西·加洛,Agathe Dronne,瑪?shù)贍柕隆ろf爾,Dana Fiaque,Mareme N'Diaye,奧利維爾·法利茲,伊琳娜·穆雷勒,Aymeline Alix,Karimouche,Evelyne El Garby Kla?,Céline Perra,Nazareth Agopian,法布里斯·阿夫拉姆,Olivier Hardoui

　　朱莉在巴黎一家豪華酒店打工，工作非常辛苦，還要努力照顧在鄉(xiāng)下的兩個孩子。后來，她得到了一個期待已久的工作面試機會，但一場全國性的罷工爆發(fā)了，導(dǎo)致公共交通系統(tǒng)陷入癱瘓。一直以來，朱莉努力在生活中維系著一種平衡，而這種脆弱的平衡被突發(fā)事件所打破。為了得償所愿，她冒著隨時都會碰壁乃至失去一切的風(fēng)險，開始了一場與時間的瘋狂賽跑。

南部僵尸來襲

Megan Few,Jeremy Sande,Michael Joiner

　　Lonnie, a crop duster pilot, must lead a mismatched group of survivors to escape the deadly zombie horde after an experimental chemical, intended to control the invasive kudzu vine, transforms the citizens of Charleston, MS into zombies.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

慳錢家族

楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀

　　典型都市女性Diana（鄭裕玲 飾）有著驕人的事業(yè)成績，也積極經(jīng)營著自己的愛情?？墒窍愀劢?jīng)濟不景氣，她與同公司的小職員韋大漢（曾志偉 飾）都在了裁員的名單上。韋大漢早年妻子因為好賭離家出走，丟下了女兒千華（楊千嬅 飾）及小兒子萬華需要供養(yǎng)。他向兒女隱瞞自己已經(jīng)被解雇的事實，可是Diana的出現(xiàn)讓千華及弟弟都知道了爸爸的真實情況。原來Diana的出現(xiàn)是想跟他們參加一個家庭制的游戲，只有勝出游戲，電視臺便會原價收購他們的負資產(chǎn)業(yè)。Diana是一個自私冷酷的人，在游戲的過程中，被大漢付出在兒女身上的感情而改變了她。千華也在游戲中與導(dǎo)演（陳奕迅 飾）產(chǎn)生了感情。游戲最終由他們勝出，可是千華親生母親的出現(xiàn)使局面徹底改變了……

蜜戀合租

孫志強,徐海文,謝雨欣

　　安諾軒辭高薪逐寫作夢，26歲遭男友陳強出軌并貶其夢想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機合租。兩人磨合中漸生情，雖因誤會分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對象華清泫，獲蘇母認可，婚后安諾軒寫作終成。