在線播放
劇情簡(jiǎn)介
欲念浮動(dòng)/名模疑云線上看,欲念浮動(dòng)/名模疑云在線觀看,兩個(gè)青年女子之間的表態(tài)性心理導(dǎo)致了其中一個(gè)被害,而兇手就是另外一位姑娘。此后,她便被囚禁一間修道院中。探長(zhǎng)前來(lái)偵詢,律師也前來(lái)調(diào)查案情。但探長(zhǎng)并非在影片首尾出現(xiàn)的那個(gè)探長(zhǎng),律師又與被害者是同一個(gè)。所以
同類(lèi)好片
何以陽(yáng)光
宇桐非,梁鏡珂,蘇一龍,李華,鄭龍,孟靖,張綺煙最終荷載
Judd Nelson,杰夫·法赫,德魯·沃特斯,瑪?shù)稀ず嗟律?/span>加齊號(hào)的攻擊
拉納·達(dá)格巴提,凱·凱·門(mén)農(nóng),阿圖爾·庫(kù)爾卡尼鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂(lè)人,古原靖久,虎牙光揮無(wú)約而至
李京沐,李若寧,張子棟,于月仙,秦衛(wèi)東,王雙寶北地獵人
柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko Shimozawa人氣佳作
平安夜,殺人夜
羅漢·坎貝爾,露比·莫迪恩,馬克·艾奇遜,沙龍·巴杰,大衛(wèi)·勞倫斯·布朗,埃里克·阿塔瓦爾,托米·雷梅爾,大衛(wèi)·湯姆林森,伊莎·薇洛特,Rick Skene,Tom Young,馬德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾倫,Logan Sawyer,Julien Neault-Lount,安德烈婭·格里寧王者少年
路易斯·阿什伯恩·瑟金斯,丹妮斯·高夫,迪安·肖穆,湯姆·泰勒,雷亞安娜·杜瑞斯,內(nèi)森·斯圖爾特-賈瑞特,諾瑪·杜梅溫尼,麗貝卡·弗格森,馬克·博納爾,安格斯·里,路易斯·馬丁,喬伊·安沙,亞當(dāng)·利斯,亞歷山德拉·羅奇,尼克·穆罕默德,帕特里克·斯圖爾特,邁拉·麥克法迪,亞當(dāng)·布克斯頓,克勞迪·布萊克利,吉娜薇·歐瑞麗,露絲·霍洛克斯,賈格·帕特爾,康納·沃爾夫宇宙毀滅記
Jeff Morrow,Barbara Lawrence,John Emery地窖2024
斯科特·斯比德曼,喬丹娜·布魯斯特,勞倫斯·菲什伯恩,克里斯·康納,Katie O'Grady,珍妮·林·田,Randy Sean Schulman,杰薩爾·蘭達(dá)瓦索,Naiya Amilcar,凱爾·斯托爾茨,Zach Feiner,Kiah Butts導(dǎo)演精選
迷失禁區(qū)
...
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗黑新娘!
孤獨(dú)的科學(xué)怪人弗蘭肯斯坦(克里斯蒂安·貝爾 飾)來(lái)到了1930年代的芝加哥,懇請(qǐng)頂級(jí)科學(xué)家尤弗洛尼斯博士(安妮特·貝寧 飾)為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子,“新娘”(杰西·巴克利 飾)就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象:謀殺接踵而至,占有欲瘋狂滋生,新娘能否掙脫“被創(chuàng)造”的命運(yùn)?在暗黑混沌的逃亡路上,一場(chǎng)女性覺(jué)醒風(fēng)暴開(kāi)始席卷整個(gè)世界。