花宵道中

★ 6.8 播放：08萬(wàn) 更新：2026-04-30

故事發(fā)生在江戶時(shí)代末年，霧里（高岡早紀(jì) 飾）偶然之中遇見(jiàn)了孤女朝霧（安達(dá)佑實(shí) 飾），將她帶回了妓院，訓(xùn)練其成為了游女。朝霧曾遭到母親的虐待，身上遍布了櫻花狀的傷疤，卻因禍得福，因?yàn)檫@異于常人之處而備受客人喜愛(ài)。某日，在盛大的祭奠中，朝霧邂逅了名為半次郎（淵上泰史 飾）的青年，善良老師的半次郎吸引了朝霧的注意，使得她墜入了情網(wǎng)之中。然而，身為妓院頭牌，戀愛(ài)是被明令禁止的，朝霧因此而遭到了老板娘的斥責(zé)。之后，在吉田屋（津田寬治 飾）舉辦的宴會(huì)上，朝霧和半次郎重逢了，吉田屋察覺(jué)到了兩人流露出的情誼，占有欲極強(qiáng)的他決定拆散他們。?豆瓣

在線播放

劇情簡(jiǎn)介

故事發(fā)生在江戶時(shí)代末年，霧里（高岡早紀(jì) 飾）偶然之中遇見(jiàn)了孤女朝霧（安達(dá)佑實(shí) 飾），將她帶回了妓院，訓(xùn)練其成為了游女。朝霧曾遭到母親的虐待，身上遍布了櫻花狀的傷疤，卻因禍得福，因?yàn)檫@異于常人之處而備受客人喜愛(ài)。某日，在盛大的祭奠中，朝霧邂逅了名為半次郎（淵上泰史 飾）的青年，善良老師的半次郎吸引了朝霧的注意，使得她墜入了情網(wǎng)之中。然而，身為妓院頭牌，戀愛(ài)是被明令禁止的，朝霧因此而遭到了老板娘的斥責(zé)。之后，在吉田屋（津田寬治 飾）舉辦的宴會(huì)上，朝霧和半次郎重逢了，吉田屋察覺(jué)到了兩人流露出的情誼，占有欲極強(qiáng)的他決定拆散他們。?豆瓣

導(dǎo)演精選

密林深處

　　故事發(fā)生在1865年的法國(guó)南部，流浪漢狄默提（納威爾·佩雷茲·畢斯卡亞特 Nahuel Pérez Biscayart 飾）來(lái)到了這里，為了避人耳目，他假裝自己是聾啞人，在這里的一座小村莊中住了下來(lái)。在村子里，狄默提邂逅了名為約瑟芬（伊希爾·勒·貝斯柯 Isild Le Besco 飾）的女子，美麗善良的約瑟芬一下子就吸引了狄默提的注意?！　〖s瑟芬的父親休斯（讓-克勞德·古盧姆伯格 Jean-Claude Bolle-Reddat 飾）是一個(gè)熱情好客的男人，他慷慨的邀請(qǐng)狄默提來(lái)家里做客，可休斯的善意卻并沒(méi)有得到狄默提的回報(bào)。狄默提用一種古老而又邪惡的方法催眠的約瑟芬，將她帶進(jìn)深山老林之中肆意凌辱。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

冰尸玩過(guò)界

　　不久前剛剛得知自己懷孕的艾瑪（布麗特·摩根 Brit Morgan 飾），懷著異樣復(fù)雜的心情隨同尚不知情的男友麥克（希斯·戴維·米切爾 Seth David Mitchell 飾）來(lái)到一處位于雪山冰原之間的小鎮(zhèn)度假。無(wú)垠曠野，萬(wàn)籟俱寂，看似一切都是那么浪漫美好，但是他們駕駛雪地摩托時(shí)遭遇事故，二人相互攙扶，勉強(qiáng)回到帳篷。在完全沒(méi)有信號(hào)的深山腹地，麥克他們不僅要對(duì)抗嚴(yán)苛冰冷的自然環(huán)境，還要承受莫大的精神壓力盡快修好雪橇摩托逃離此地?！　≡诖诉^(guò)程中，二人間爆發(fā)著爭(zhēng)吵，而更大的危機(jī)正漸漸向他們逼近。直到某天，艾瑪意外變成了這座山林中的孤身一人……