我的妻子的姐姐

飛虎門鄭坤奉命押送賑災(zāi)糧，他押送回來的賑災(zāi)糧全是沙石，鄭坤鋃鐺入獄，幾經(jīng)周折，鄭坤查出調(diào)換賑災(zāi)糧的罪魁禍首，鄭坤與州府捕快左綾聯(lián)手將貪污賑災(zāi)糧的人一干人等繩之以法，將他們一網(wǎng)打盡

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

Madea的哥哥Joe陪同他的孫子B.J.進行了一次大學公路旅行。

　　有個驚嚇過度的小女孩在沙漠游走，唯一吐出的只有一個字：怪物！任何50年代恐怖片迷都會馬上告訴你，她所指的”怪物”就是巨蟻，那是在當?shù)睾俗釉嚤蟮母碑a(chǎn)品。這些巨蟻非常有組織，嗜肉且體型巨大，約有8到20呎，它們?nèi)壕墼诼迳即壍南滤老到y(tǒng)，彷若一個巨大的螞蟻園區(qū)，準備好要接管這個世界。要和這些怪物對抗的人類精英是新墨西哥警署探員詹姆斯惠特摩，聯(lián)邦調(diào)查局代表詹姆斯亞尼斯，和一對由埃德蒙關(guān)恩和喬安妮威爾登所飾的父女檔昆蟲學家。