劇情縱覽
別名:納粹軍妓血淚史(1976年未分級版) Lager SSadis Kastrat Kommandantur (1976)-似乎是白色人種只是沒有那些討厭的納粹夠出眾。在一個秘密的SS愛營,可怕的實驗也在進行中,以創(chuàng)建一個新的超級比賽。煙雨touture和強迫,并weeet正招標納粹命名赫爾穆特愛上了可愛的考試科目之一。但它并沒有結束,詞得到了關于Helmus的性能力驅動無能上校堅果與嫉妒。隨著他的球現在下落不明,赫爾穆特和他的女囚犯盟友苛求一點報復!
別名:納粹軍妓血淚史(1976年未分級版) Lager SSadis Kastrat Kommandantur (1976)-似乎是白色人種只是沒有那些討厭的納粹夠出眾。在一個秘密的SS愛營,可怕的實驗也在進行中,以創(chuàng)建一個新的超級比賽。煙雨touture和強迫,并weeet正招標納粹命名赫爾穆特愛上了可愛的考試科目之一。但它并沒有結束,詞得到了關于Helmus的性能力驅動無能上校堅果與嫉妒。隨著他的球現在下落不明,赫爾穆特和他的女囚犯盟友苛求一點報復!
外表平平的金哲秀(薛景求 飾)是大韓民國的一名身懷絕技、勇武干練的特工,但在日常生活中他偽裝身份,連妻子英熙(文素麗 飾)也對其真身一無所知。在老婆面前,他是唯唯諾諾,毫無氣場的普通上班族。哲秀就在危險和平凡中小心翼翼保持平衡。某天,即將參加六方會談的朝鮮代表白武鎮(zhèn)乘坐的飛機被恐怖分子擊落。由于該次會議事關重大,影響著南北統一和放棄核武的協議簽訂,因此韓方派出金哲秀和搭檔們去泰國營救白武鎮(zhèn)擁有豐富核武制造經驗的女兒白雪希。與此同時,身為空姐的英熙在和丈夫吵完架后飛赴海外,途中邂逅了英俊帥氣的男子萊恩,殊不知此人正是暗殺白武鎮(zhèn)的冷血殺手。危機重重的泰國,金秀哲經歷著來自國家和家庭的嚴峻考驗……
20世紀初,在一場致命的牛仔競技后,羅莎與她的情人踏上逃亡之路,穿越意大利荒野,試圖擺脫追捕。他們的身后,是傳奇人物“水牛比爾”——他不僅是追蹤者,更是掌控故事的人。他拒絕改寫自己版本的真相,而羅莎的命運也因此被卷入一段被掩蓋的往事。隨著旅程深入,逃亡逐漸演變?yōu)橐粓鲫P于身份、記憶與敘事權的較量。在現實與傳說交織的邊界上,羅莎必須決定是否繼續(xù)逃避,或重新掌握屬于自己的故事。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
一位年輕的傳教士發(fā)現自己已故父親保守多年的秘密,于是從菲律賓前往西班牙去尋找父親的禁忌之愛。