無恥

神勇雙響炮續(xù)集

　　小魔怪乃飛虎隊(duì)成員，因一次出錯(cuò)，被調(diào)派至行動組與雷公共事，二人成斗氣冤家。威威李乃變節(jié)臥底，罪證菲林輾轉(zhuǎn)落在李女友Rosa手中，后來李遭反派毒手；小魔怪和雷公憑機(jī)智及運(yùn)氣終把壞蛋們繩之于法。

圣誕老人-N：紅色覺醒

　　一個(gè)偏遠(yuǎn)小鎮(zhèn)被一個(gè)披著傳統(tǒng)外衣、陰暗扭曲的人物所困擾，他將歡樂化為恐懼。這部心理恐怖小說融合了民間傳說、恐懼和生存元素，講述了一個(gè)令人毛骨悚然的全新故事。

嘔吐戈?duì)枺簹⒙?/h3>

本片是關(guān)于一個(gè)被自己的父母拋棄的女孩的故事，14歲就離家出走的她，被當(dāng)?shù)氐囊粋€(gè)牧師收養(yǎng)了。后來，她所遇到的人，將會給她本來就很悲慘的命運(yùn)帶來怎樣的影響呢？對于安吉拉.阿卜迪恩來講，為了她，他寧愿犧牲自己也要與撒旦達(dá)成死亡契約，這樣就可以讓她靈魂永生，為了報(bào)仇，她先去把那牧師的教堂燒成了焦土，而牧師因?yàn)楹榷嗔硕涝诹私烫美??？墒呛髞?，她卻在都市的燈紅酒綠中染上了毒癮和酒癮，殊不知，她的腳已經(jīng)邁入了地獄之門…從做了艷舞女郎到做妓女，發(fā)現(xiàn)毒癮已讓她無法自拔，甚至他覺得撒旦也拋棄了她 。

靈蝕

　　自從父親死后，薇若妮卡就一直姊代母職照顧弟弟。思念父親的她，和兩個(gè)朋友在日全蝕那天，做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時(shí)，玻璃破碎，薇若妮卡陷入恍惚狀態(tài)然后昏迷，朋友們也嚇得驚慌失措。薇若妮卡清醒后回家，卻開始發(fā)現(xiàn)一些異象：東西自己會移動、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界，可是這些異象卻越發(fā)不懷好意，讓她備感威脅。在弟弟的幫助下，薇若妮卡展開一項(xiàng)儀式要脫離靈體糾纏，卻召喚出始料未及的恐怖幻影，雖然薇若妮卡勇敢地抵抗，但她卻渾然不知可怕的后果正等著她……

雙生疑云

一名警察遇害身亡，查案的警員發(fā)現(xiàn)這與其雙胞胎兄弟及他們令人不安的過去有關(guān)，一場令人心驚膽戰(zhàn)的真相探查就此展開。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.