不文女學(xué)堂

東北戀哥3：冬天里的一把火

90年代的哈城，剛刑滿釋放的徐鐵（包貝爾 飾）偶遇裝啞的舞女百靈（張夢(mèng)露 飾），兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖，讓他們相互靠近，卻又因現(xiàn)實(shí)隔閡，家人誤解而屢屢拉扯。百靈為父還債的秘密賬本，讓徐鐵讀懂了她的苦衷，雷力的迫害更是將兩人推向絕境，徐鐵以命相搏救出被囚的百靈，終贏來家人祝福。這對(duì)孤獨(dú)靈魂，在世俗重壓下，以真愛焐熱了彼此的人生。

白石州往事

是中國獨(dú)立電影導(dǎo)演蔣潤庭創(chuàng)作的科幻小說，在番茄小說網(wǎng)連載，以虛構(gòu)城市白石州市爆發(fā)“WOC-13”新型狂犬病毒為背景，通過多角色故事展現(xiàn)末日危機(jī)下的人類求生選擇。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

人偶之家

　　故事主角是失去五歲女兒芽衣的鈴木佳惠（長澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場(chǎng)找到一個(gè)與芽衣非常相似的可愛洋娃娃，并開始呵護(hù)它，逐漸恢復(fù)了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關(guān)注這個(gè)洋娃娃了。漸漸地，五歲大的真衣開始和洋娃娃玩耍，這個(gè)家庭接二連三地發(fā)生奇怪的事情。佳惠他們?cè)噲D擺脫這個(gè)洋娃娃，但無論扔掉還是供奉，這個(gè)洋娃娃卻莫名其妙地回來了！洋娃娃隱藏的秘密是什么？以及即將揭開的震撼真相是什么——！

哈留恩佩與邪惡祭司

　　在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長年疲于工作，使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸，成為他心中揮之不去的陰影。此時(shí)，一名神秘案犯走進(jìn)了他的生活，提莫如何在重重陰霾下抓出真兇……

老板和小可愛