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菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費斯·洛根,桃樂絲·麥卡錫太空運輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達,Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路同類推薦
蒼蠅之母
約翰·亞當(dāng)斯,露露·亞當(dāng)斯,澤爾達·亞當(dāng)斯,托碧·波塞爾When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.
圣母瑪利亞
安妮·海瑟薇,米凱拉·科爾,亨特·莎弗,小枝女孩,雅典娜·弗里澤爾,凱雅·基伯,杰西卡·布朗·芬德利,伊紹拉·巴貝-布朗,阿爾芭·巴普蒂斯塔,茜安·克利福德,帕里納斯·埃斯梅爾薩德,勞拉·米金,朱莉婭·斯托爾巴,丹尼·維塔勒傳奇流行巨星Mother Mary(安妮·海瑟薇 飾)為了以完美形象回歸舞臺,找上疏遠多年的好友兼前造型師薩姆(米凱拉·科爾 飾),卻也掀開埋藏已久的傷疤。
克羅克特先生
杰瑞卡·辛頓,Alex Alomar Akpobome,埃爾維斯·諾拉斯科,Kristolyn Lloyd,Lyla Randall,Akim Black,Gina Jarrin,Ayden Gavin,Melanie Christine Leon-Soon,Riley Vinson,Matthew LB McCollum,Jabari Striblin1993 年,發(fā)生了可怕的事件:一個神秘的兒童節(jié)目主持人克羅克特先生神奇地從電視機中出現(xiàn),綁架了年幼的孩子殺害了其父母。而在克羅克特先生綁架了女主的兒子之后,女主開始了危險的追尋之旅,她要找到這個惡魔,救出她的兒子。
蠱鎮(zhèn)
Caitlin McWethy,Rachel Ryu,Emily SoppeWhen a cult that worships mind-altering parasites takes over a small town, a trio of women in lockdown are dragged into a fight for survival and revenge.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster