云上的日子 Al di là delle nuvole

? 1.1 播放：21萬 2026-04-30

1，費拿拉小鎮(zhèn)，工程師斯瓦諾（Kim Rossi Stuart 飾）邂逅了女教師卡門（Inés Sastre 飾），他們一見鐘情，卡門卻拒絕了斯瓦諾的吻。當他們?nèi)旰笤俅蜗嘤鰰r，斯瓦諾則在肉欲面前止步； 2，海濱小城，某導演（John Malkovich 飾）信步游蕩時遇到了美麗的女子（Sophie Marceau 蘇菲•瑪索 飾）。她向?qū)а萏拱自H手殺害自己的父親。他們并未因此疏遠，反而繾綣纏綿； 3，巴黎，妻子離開不忠的丈夫，尋找租房時遇到了失去妻子的卡羅（Jean Reno 讓•雷諾 飾），他們似乎找到了共通的心緒； 4，英俊的男孩愛上了一個姑娘（Irène Jacob 飾），他尾隨、表白，卻得知她將要把自己獻給上帝。 本片榮獲1996年意大利電影新聞記者協(xié)會銀絲帶獎最佳編曲、1995年威尼斯電影節(jié)費比西獎。

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? 播放 云上的日子 Al di là delle nuvole

劇情提要

1，費拿拉小鎮(zhèn)，工程師斯瓦諾（Kim Rossi Stuart 飾）邂逅了女教師卡門（Inés Sastre 飾），他們一見鐘情，卡門卻拒絕了斯瓦諾的吻。當他們?nèi)旰笤俅蜗嘤鰰r，斯瓦諾則在肉欲面前止步； 2，海濱小城，某導演（John Malkovich 飾）信步游蕩時遇到了美麗的女子（Sophie Marceau 蘇菲•瑪索 飾）。她向?qū)а萏拱自H手殺害自己的父親。他們并未因此疏遠，反而繾綣纏綿； 3，巴黎，妻子離開不忠的丈夫，尋找租房時遇到了失去妻子的卡羅（Jean Reno 讓•雷諾 飾），他們似乎找到了共通的心緒； 4，英俊的男孩愛上了一個姑娘（Irène Jacob 飾），他尾隨、表白，卻得知她將要把自己獻給上帝。 本片榮獲1996年意大利電影新聞記者協(xié)會銀絲帶獎最佳編曲、1995年威尼斯電影節(jié)費比西獎。

幕后花絮

派對島上的危險

性格內(nèi)向的律師梅爾·戴爾得知她愛冒險的妹妹突然去世后感到悲痛欲絕。但當她前往收集姐姐的尸體時，她很快就懷疑有人謀殺。她可能是下一個。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.