即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
浪扼三焦
卡拉·朱里,Véronique Tshanda Beya,Esperanza Martin González-Quevedo,Alessia Raschellà,沙夏·萊伊艾瑪在夜深人靜的時(shí)候被帶走了，渾身是瘀傷，意外懷孕了。在婦女庇護(hù)所找到了一個(gè)新家，她重新發(fā)現(xiàn)了自己失去的一面。在住在避難所的婦女和兒童中，個(gè)人創(chuàng)傷交織在一起。盡管他們有分歧，但一種微妙的姐妹情誼出現(xiàn)了?！耙徊筷P(guān)于女性為自尊和獨(dú)立而戰(zhàn)的電影，面對(duì)一個(gè)剝奪她們發(fā)言權(quán)的世界。這部電影將觀眾帶到了一個(gè)女性避難所的墻壁后面，向他們展示了一個(gè)令人驚訝的充滿活力的世界，那里的生活正在重建。如果有痛苦，也有力量、快樂和希望。角色和他們的故事植根于真實(shí)的經(jīng)歷和情感，由演員和非演員共同扮演。情感誠實(shí)至關(guān)重要”。導(dǎo)演的筆記。
荒漠惡種
凱特·林恩·希爾,斯科特·黑茲,Alex Montaldo一名男子在加利福尼亞沙漠徒步旅行時(shí)，發(fā)現(xiàn)自己的車不見了。當(dāng)他四處尋找時(shí)，他跟著一個(gè)流浪的男孩，最終來到了一個(gè)年輕女子占據(jù)的偏遠(yuǎn)小屋。兩人之間發(fā)生了一種奇怪的動(dòng)態(tài)，伴隨著幾次與威脅女孩的男孩的暴力沖突。當(dāng)這個(gè)男人意識(shí)到他掉進(jìn)了一個(gè)精心設(shè)計(jì)的陷阱時(shí)，想要避免他將要遭受的可怕后果已經(jīng)太晚了。《種子》是作家兼導(dǎo)演巴納比·克萊的一部大膽、噩夢(mèng)般的處女作，他的著名mv作品包括Gnarls Barkley的歌曲、“YYYs”等。這部慢熱的震撼劇講述了有毒的男子氣概和我們對(duì)孤立的恐懼，它有效地呈現(xiàn)了一個(gè)男人在面對(duì)絕望和生存之戰(zhàn)時(shí)心理的惡化。作為新人，巴納比·克萊是一位不可忽視的導(dǎo)演。(南宗錫)
新外星人
克斯汀·埃伯索爾,喬納森·沃德,蒂娜·卡斯帕里,勞倫·斯坦利,杰德·考戈里一個(gè)外星人家庭在不幸意外地被美國探測(cè)太空船攜回地球，他們?cè)谝魂嚮靵y中沖出太空總署逃向沙漠，但小外星人麥克與家人失散，溜上了不良于行的艾瑞克家人的旅行車而跟著車到了內(nèi)華達(dá)州。麥克在一次意外事件中救了艾瑞克之后，與艾瑞克兄弟和鄰居女童黛比等人結(jié)為好友，并要求他們協(xié)助搜救在沙漠中垂死的家人。艾瑞克一行人終于在麥克的指引下找到他的家人并帶他們回家，卻不意在超級(jí)市場(chǎng)中造成騷動(dòng)，警方及尾隨而來的科學(xué)家們企圖抓住他們而引發(fā)了沖擊…
兩個(gè)心臟
金宣兒,馬東錫,李清娥,鄭仁基,樸孝朱,申正根改編自同名網(wǎng)絡(luò)連載漫畫，由原作漫畫作者鄭嚴(yán)植親執(zhí)導(dǎo)筒拍攝。該片講述了被連環(huán)殺人犯奪去家人的女子以自己的臟器作為擔(dān)保展開報(bào)復(fù)行動(dòng)的故事。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.