即刻觀影
劇情賞析
編輯推薦
火鳳凰1978
姜大衛(wèi) (David Chiang),上官靈鳳 (Lingfeng Shangguan),岳華 (Hua Yueh)敘述日本人潛伏中國武館，化裝紅衣蒙面人，屢次暗殺立志北伐的愛國志士，后來被揭穿的懸疑武打故事。這片子真可以當成偵破片來看，武館的人一個一個被殺，兇手究竟是誰...
風雪飄搖
王宇,伊日貴,其那日圖,鋼特木爾,趙思芮,熬爾,巴音故事背景發(fā)生在抗日戰(zhàn)爭時期，主角郭東是一名獸醫(yī)，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個小鎮(zhèn)上，過著惶惶不可終日的生活。郭東的自暴自棄使得他與當?shù)厝水a生許多矛盾。就在此時，一名蒙古族孕婦的生命危在旦夕，眾人無奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下，重新明白了"英雄"的意義，完成了自我救贖。
上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩麥道梅（曾志偉 飾）人如其名，一生歷經坎坷無數(shù)，去內衣廠工作就連累企業(yè)業(yè)績直線下滑，談女朋友就被拋棄，連累的三十多歲的家姐至今未嫁。無奈的姐姐拿出了家傳的玉鐲贈與一事無成的麥道梅，希望幫他轉運，抑郁的麥道梅酒后駕車，被人撞下高坡，迷迷糊糊見到了牛頭馬面，此二鬼卒告知麥道梅陽壽未盡，在王百萬、包黛麗、石神三人身亡之后即是他麥道梅之死期……清醒過來的麥道梅馬上遇上了被撕票的富翁王百萬，而石神便是綁架王百萬的案犯之一，而包黛麗則是石神的女友，為了自救，麥道梅試圖保護包黛麗和石神，因此卷入了這起綁架案，而石神的妹妹石女（鐘楚紅 飾）更是令麥道梅心動。未知麥道梅如何自救，又怎樣贏得石女芳心？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
龍林逃生
陳升衛(wèi),林千雯,鬼哥,龍娜,薛瓊,李信慶《龍林逃生》講述了陳義天、吳勇、梁麗娜、王燕玉等人坐著冒險之旅客運車前去原始森林歷險旅游，途中車子出現(xiàn)故障遇到紅火蟻、恐龍和被恐龍襲擊的虎哥等人，大家互相關心、互相幫忙，最終安全地逃出了奇妙的原始森林。
月光里的男孩
久美江措,更旦,尕瑪久美,尼瑪頌宋,西然仁杰,尕瑪文加,文秀求珍,達杰丁增,更卻東周影片講述作家扎西因童年時一個關于狗的“秘密”愧疚多年，直到多年后重返故鄉(xiāng)才意外得知真相，與孩童穿越時光的生長痛。