不道德的禮物
羅雪兒（邱淑貞暫無(wú)內(nèi)容飾）為人中規(guī)中矩，幫助父親經(jīng)營(yíng)公司，和男友的關(guān)系也是不冷不熱，最終被拋棄。暫無(wú)內(nèi)容父親公司出現(xiàn)危機(jī)，苦思良策的雪兒與好友Sorry（李蕙敏暫無(wú)內(nèi)容飾）到碼頭散心，巧遇癱瘓的富豪林樂(lè)山（江華暫無(wú)內(nèi)容飾）。林樂(lè)山被雪兒吸引，長(zhǎng)年所患的性無(wú)能也似乎有了好轉(zhuǎn)。暫無(wú)內(nèi)容林樂(lè)山之弟林樂(lè)水（鄭伊健暫無(wú)內(nèi)容飾）決定利用這個(gè)機(jī)會(huì)幫助兄長(zhǎng)，于是找到雪兒與其簽下合同，答應(yīng)替其父還債。但前提是雪兒要做其兄一晚的情人。暫無(wú)內(nèi)容雪兒在金錢(qián)的吸引下答應(yīng)，于是樂(lè)水找來(lái)帥Gay佬Honey（王敏德暫無(wú)內(nèi)容飾）開(kāi)始對(duì)雪兒進(jìn)行勾引男人的訓(xùn)練……
劇情簡(jiǎn)介
羅雪兒（邱淑貞暫無(wú)內(nèi)容飾）為人中規(guī)中矩，幫助父親經(jīng)營(yíng)公司，和男友的關(guān)系也是不冷不熱，最終被拋棄。暫無(wú)內(nèi)容父親公司出現(xiàn)危機(jī)，苦思良策的雪兒與好友Sorry（李蕙敏暫無(wú)內(nèi)容飾）到碼頭散心，巧遇癱瘓的富豪林樂(lè)山（江華暫無(wú)內(nèi)容飾）。林樂(lè)山被雪兒吸引，長(zhǎng)年所患的性無(wú)能也似乎有了好轉(zhuǎn)。暫無(wú)內(nèi)容林樂(lè)山之弟林樂(lè)水（鄭伊健暫無(wú)內(nèi)容飾）決定利用這個(gè)機(jī)會(huì)幫助兄長(zhǎng)，于是找到雪兒與其簽下合同，答應(yīng)替其父還債。但前提是雪兒要做其兄一晚的情人。暫無(wú)內(nèi)容雪兒在金錢(qián)的吸引下答應(yīng)，于是樂(lè)水找來(lái)帥Gay佬Honey（王敏德暫無(wú)內(nèi)容飾）開(kāi)始對(duì)雪兒進(jìn)行勾引男人的訓(xùn)練……
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
猩球崛起：新世界
歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達(dá)維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達(dá)布茲,尼娜·加拉斯故事設(shè)定在“猿流感”病毒蔓延全球的背景下，人類(lèi)幾近毀滅，而進(jìn)化為高級(jí)智慧生物的猿類(lèi)一躍成為食物鏈頂端的王者。時(shí)移世異，暴虐的猿類(lèi)首領(lǐng)賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個(gè)帝國(guó)——“猩球”崛起，這是世界新秩序誕生的黎明時(shí)分。神秘的人類(lèi)女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現(xiàn)，引起了賽撒的警覺(jué)。她似乎掌握著一個(gè)巨大的秘密，不僅關(guān)乎人類(lèi)的存亡，甚至可能再度顛覆整個(gè)“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊(duì)的過(guò)程中，與青年猿類(lèi)諾亞（歐文·泰格 Owen Teague 飾）的命運(yùn)交匯，揭開(kāi)了一段冒險(xiǎn)的旅程。
玉米地的小孩：大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來(lái)的十年里，她匿名生活，試圖使兒子免遭她小時(shí)候所經(jīng)歷的恐怖，但有邪惡跟著她，現(xiàn)在，她必須面對(duì)邪惡，或者失去孩子……
無(wú)效郵件
小斯特林·馬塞爾,約翰·弗利克,Tomas Boykin,蘇珊·普里弗,Micki Jackson,尼克·海曼,Sean Heyman,Aaron Phifer,Brian Burke,邁卡·菲茨杰拉德,沙里夫·沃爾特斯,David Willis,Joseph Lopez,喬什·哈普,Shelby Sulak,Alyssa Brayboy,Robin D. Stanton,Jackie Green,Shelby Shea,I. Elijah Baughman一份不祥的求助信被傳到了20世紀(jì)80年代的一家郵局里，將一名死信調(diào)查員與一名被綁架的鍵盤(pán)技術(shù)員聯(lián)系起來(lái)。
人肉炸彈
莉斯?fàn)枴ぐ⒗账?蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾九個(gè)朋友，去森林露營(yíng)過(guò)程中他們經(jīng)歷了一個(gè)瘋狂的奪命之夜。派對(duì)醒來(lái)時(shí)，九個(gè)人胸前綁著自殺式炸彈，倒計(jì)時(shí)鐘上都有不同的時(shí)間。當(dāng)他們發(fā)現(xiàn)可以通過(guò)殺死對(duì)方來(lái)“占用”對(duì)方的時(shí)間時(shí)，自相殘殺開(kāi)始了。
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀(jì)80年代發(fā)丘傳人賈凡（戴向宇 飾）利用祖?zhèn)髅匦g(shù)智斗摸金校尉吳老大（杜奕衡 飾）守護(hù)發(fā)丘老祖之墓的熱血故事，表現(xiàn)了邪不壓正的主題思想。
妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢(mèng)露富頓教授（加里·格蘭特 Cary Grant 飾）是一位科學(xué)家，正在研究一種能夠讓人返老還童的神奇藥物。某一天，富頓用來(lái)試驗(yàn)藥物的黑猩猩從籠子里逃了出來(lái)，在實(shí)驗(yàn)室里“大鬧天宮”，沒(méi)想到竟然在誤打誤撞之下將富頓一直想要研制但始終沒(méi)有成功的神藥給搗鼓了出來(lái)。 對(duì)此一無(wú)所知的富頓在偶然間喝下了這種藥物，很快，藥效便發(fā)揮了作用，富頓一反常態(tài)，言行舉止儼然一幅二十歲小伙子的模樣。秘書(shū)路易斯（瑪麗蓮·夢(mèng)露 Marilyn Monroe 飾）前來(lái)拜訪富頓教授，沒(méi)想到卻被他邀請(qǐng)去游泳、溜冰。之后，富頓的妻子愛(ài)德華（金格爾·羅杰斯 Ginger Rogers 飾）亦誤食了藥物，一連串讓人忍俊不禁的趣事就此展開(kāi)。