熱水女孩30

評分：6.8 播放：54萬 更新：2026-05-04
主演： Cherry Samkhok New Thanya 

呆在一個度假勝地Kalaya是為了擺脫她的婆婆。在這里她遇到坐誰是經(jīng)理的度假村和祂們有外遇。單詞丅車給婆婆和她發(fā)送一個私人偵探來拍照作為證據(jù)。但偵探也噯上了Kalaya和跟她做噯

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　　劉雅歷（林子祥 飾）是一名廣告公司高層，但感情生活并不如意——女友碧姬（關(guān)之琳 飾）與他分手了。本來就沉默寡言的雅歷更加孤寂傷痛了，生活依舊刻板平凡?！　『髞硭谝粋€合唱團(tuán)里認(rèn)識了一位極有天分的女孩巫慧敏（周慧敏 飾），本來打算對她多加照顧培訓(xùn)，卻遭到慧敏母親朱麗娥（鄭裕玲 飾）的不滿，以為雅歷對自己年輕的女兒動了歪念，兩人也因此成為了斗氣冤家?！　〗?jīng)多次的交往之后，朱麗娥才發(fā)現(xiàn)自己誤會了雅歷，便對他完全改觀了，有困難的時候麗娥也主動找雅歷幫忙。麗娥本來就是個離婚婦人，遇到了同樣感情空虛的雅歷，兩人之間很快便滋長了愛情。這時，雅歷的前女友碧姬卻回來要求復(fù)合……

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杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯

　　THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.

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馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-Martin

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等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.