劇情縱覽
女孩小花(二階堂富美暫無內(nèi)容飾)在大地震中失去了所有的親人,救生員淳悟(淺野忠信暫無內(nèi)容飾)收留了無家可歸的小花,沒有血緣關系的兩人組成了家庭。一晃眼多年過去,小花已經(jīng)出落成為了亭亭玉立的少女,淳悟也有了女友(河井青葉暫無內(nèi)容飾),可是后者卻發(fā)現(xiàn),在淳悟和小花之間,一種古怪而又詭異的感情暫無內(nèi)容以無法遏制的速度暗自生長著。
女孩小花(二階堂富美暫無內(nèi)容飾)在大地震中失去了所有的親人,救生員淳悟(淺野忠信暫無內(nèi)容飾)收留了無家可歸的小花,沒有血緣關系的兩人組成了家庭。一晃眼多年過去,小花已經(jīng)出落成為了亭亭玉立的少女,淳悟也有了女友(河井青葉暫無內(nèi)容飾),可是后者卻發(fā)現(xiàn),在淳悟和小花之間,一種古怪而又詭異的感情暫無內(nèi)容以無法遏制的速度暗自生長著。
由五個單元故事組成的GOOD TAKE,是香港電影新一代導演的創(chuàng)新作品,包括導演曾國祥《水泥》,講述警員9413(周柏豪)前往報案地點查案,最後只留下電話鈴聲卻不見其人,令人毛骨悚然;導演黃智亨的《囍宴》,一個小孩跟著跟爸爸(張兆輝飾)一起前赴媽媽新婚囍宴的故事,童真與成年人的無奈都盡在心頭;導演黃進的《Good Take》,透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業(yè)員致敬的故事;導演楊龍澄的《不一定》,以型格對比色彩重構暴力血腥鏡頭;導演黃精甫的《嚇鬼》,Charlene(蔡卓妍飾)挑戰(zhàn)鬼屋一夜遊,遇上中國殭屍、長髮貞子和辮子姑娘,過程又驚又笑!五個故事各自有著不同風格及不同戲味!
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
尼古拉斯·考夫蘭和伊莎貝爾·戈爾注定要在一起。問題是他們是否會發(fā)現(xiàn)。正如鬼魂、命運和真愛的純粹力量將尼古拉斯和伊莎貝爾拉在一起一樣,生活也有可能將他們分開。
對警察槍擊、種族主義和他們共同的聯(lián)系進行原始的、毫無歉意的審視。沒有說明我們知道答案,但不害怕直接提問。