校長(zhǎng)的例行檢查
丹麥經(jīng)典喜劇電影精選全集系列之 Rektor pa sengekanten (1972) ，別名：: Bedside Head nbsp;一個(gè)男孩的寄宿學(xué)校的年輕校長(zhǎng)已經(jīng)決定，由于他年輕的費(fèi)用性能力，他們是一種國(guó)寶。他認(rèn)為，他的學(xué)校教育應(yīng)成為共同盡快。為了提高資金的轉(zhuǎn)換，男孩留下他們的暑假期間，暫時(shí)將學(xué)校變成一個(gè)愛(ài)的酒店。
劇情簡(jiǎn)介
丹麥經(jīng)典喜劇電影精選全集系列之 Rektor pa sengekanten (1972) ，別名：: Bedside Head nbsp;一個(gè)男孩的寄宿學(xué)校的年輕校長(zhǎng)已經(jīng)決定，由于他年輕的費(fèi)用性能力，他們是一種國(guó)寶。他認(rèn)為，他的學(xué)校教育應(yīng)成為共同盡快。為了提高資金的轉(zhuǎn)換，男孩留下他們的暑假期間，暫時(shí)將學(xué)校變成一個(gè)愛(ài)的酒店。
為你推薦
與神對(duì)談
大衛(wèi)·斯特雷澤恩,布倫頓·思韋茨,耶爾·格洛格拉斯,Charlbi Dean Kriek,希爾·哈勃,博比·迪奇科,Meagan Kimberly Smith雖然是三次面談之旅，但我覺(jué)得三次否認(rèn)叫Peter更合適；08,20-08,22FathomEvents,電影大概只有90分鐘，后附30分鐘interview分享一些信仰心得，恍然間有點(diǎn)以為看到了TheSunsetLimited(2011)的感覺(jué)，電影不合情理得把神實(shí)化（降臨），但又很合乎情理的在分享Paul的見(jiàn)證，所以最后interview有個(gè)問(wèn)題是為何上帝沒(méi)有啟示我，這個(gè)問(wèn)題答案就是：先求他的國(guó)和他的義，然后你才能見(jiàn)證他的神跡。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
林中女孩
Selah Rose,Doug Wilder,Maggie WilderWidowed farmer Malcolm Gardner lives a quiet life near a secluded forest. When a mysterious ten-year-old girl emerges from the trees, he uncovers a hidden world lurking just beyond his view.
喜馬拉亞星
鄭中基,張柏芝,劉青云,應(yīng)采兒,吳鎮(zhèn)宇,黃又南,徐天佑,李兆基,黃光亮,成奎安在喜瑪拉雅山長(zhǎng)大的亞星（鄭中基）練有一身瑜伽好功夫，某日奉父母之命下山參加印度西施家族舉辦的瑜伽選夫比賽的途中，被恨嫁的大家姐（應(yīng)采兒）纏住。為了阻止亞星參加比賽，大家姐想出把他變成人見(jiàn)人厭的壞小子的狠招，不想聯(lián)合三大惡人也沒(méi)能將亞星改變，不甘心之下，大家姐又找來(lái)以壞混世的大膽叔叔（吳鎮(zhèn)宇）?！ 】上Т竽懯迨迮c朋友驚青舅父（劉青云）及其兩個(gè)外甥已不幸被印度催眠術(shù)催眠，連自己是誰(shuí)都不再曉得，然而亞星總算找到了領(lǐng)門人，賭場(chǎng)的兩頭神蛇把他教成了沉迷于賭博和吸毒的壞小子，此時(shí)，大家姐發(fā)現(xiàn)還是原來(lái)的亞星比較好，決定陪其一同喝下“印度神奇油”回到從前。
重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲編號(hào)為223的警察（金城武）失戀后患上失戀綜合癥，在與金發(fā)女殺手（林青霞）擦肩而過(guò)又離奇相遇并有了一晚溫情后，原本以為包括“愛(ài)情”在內(nèi)的所有東西都有保質(zhì)期的他意外地迎來(lái)心靈的短暫溫暖?？墒?，他們的愛(ài)情還是結(jié)束了?？觳偷晷聛?lái)的女招待阿菲（王菲）愛(ài)上了時(shí)常光顧快餐店的編號(hào) 為663的警察（梁朝偉），因拆了他的女友（周嘉玲）留在快餐店給他的“分手” 信，阿菲知曉了他的心情，偷拿到他的鑰匙趁他不在時(shí)常潛入他家，一邊夢(mèng)游一邊悄悄地改變他的生活，終在被他撞見(jiàn)時(shí)令其感受到情感的回歸。然而，這才是他們愛(ài)情的開(kāi)始。
失蹤兒童錄像帶
杉田雷麟,平井亞門,森田想,藤井隆敬太（杉田雷麟 飾）的弟弟日向很久之前，在山中失蹤。敬太一直還在尋找弟弟。一天，他突然收到母親寄來(lái)的一盤舊錄像帶，里面是弟弟失蹤瞬間的錄像?！ 【刺瞄L(zhǎng)通靈的室友（平井亞門 飾）從錄像帶中感受到了不祥的氣氛，并勸敬太不要過(guò)多地介入其中。 隨后，他倆與一直報(bào)道此事的記者 美琴（森田想 飾）共同前往了弟弟失蹤的那座山。
新凱旋門
克拉斯·邦,西瑟·巴比特·科努德森,澤維爾·多蘭,斯萬(wàn)·阿勞德,米歇爾·富,米沙·萊斯科特,讓·迪·弗埃,伊拉莉亞·卡布拉斯,亞歷山德羅·布雷薩內(nèi)羅,塞德里克·阿皮耶托,維比約克·莫林·阿格爾,弗朗索瓦·雷森,奧利弗·馬奎特,帕特里克·索貝爾曼,阿克爾·博薩,Jiang Hong Chen,紀(jì)堯姆·福雷斯蒂,塞西爾·杜克羅克,奧利維爾·加利安諾,本雅明·克萊里1982年，法國(guó)總統(tǒng)弗朗索瓦·密特朗決定為其任期的旗艦項(xiàng)目——拉德芳斯大拱門發(fā)起一場(chǎng)國(guó)際建筑競(jìng)賽，該項(xiàng)目與盧浮宮和凱旋門對(duì)齊。出乎所有人意料，一位在法國(guó)鮮為人知的 53 歲丹麥建筑師約翰·奧托·馮·斯普雷克爾森贏得了競(jìng)賽。這位建筑師打算完全按照自己的設(shè)想建造大拱門，但他的理念很快與實(shí)際限制和政治變幻莫測(cè)相沖突。這部電影以真實(shí)事件為靈感，講述了這位理想主義的丹麥建筑師如何努力在政治博弈、官僚主義和藝術(shù)自由的限制下實(shí)現(xiàn)其宏偉愿景的故事。