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劇情提要
陳寶蓮自殺,香港多家電影公司有意取材,一部名為《絕代艷星寶蓮的一生》搶先開(kāi)拍,找來(lái)樣貌與背景與陳寶蓮極神似的艷星孫亞莉擔(dān)綱,飾演陳寶蓮,而曾以;武松 ;獲金馬獎(jiǎng)最佳男配角的性格演員谷峰,飾演黃任中,另外陳明君飾演黃任中另一愛(ài)將鄭艷麗,此片火速搶拍,18天就殺青。
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用武之地
肖央,齊溪,任達(dá)華,鄭愷,潘斌龍,法提,奧黛麗·歐塔維阿諾真事信不信
大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨次世代機(jī)動(dòng)警察:首都決戰(zhàn)
真野惠里菜,福士誠(chéng)治,筧利夫,太田莉菜,千葉繁冰風(fēng)暴
凱文·克萊恩,瓊·艾倫,西格妮·韋弗,亨利·科澤尼,托比·馬奎爾,克里斯蒂娜·里奇,伊利亞·伍德,亞當(dāng)·漢拜德,大衛(wèi)·克朗姆霍茨,杰米·謝爾丹,凱特·伯頓,威廉·凱恩,邁克爾·昆普斯蒂,瑪雅·丹齊格,凱蒂·霍爾姆斯,艾莉森·詹尼王勝:紫色
王勝犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛(ài)麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛(wèi)·T·林,亞當(dāng)·比奇,Ramontay McConnell,Max Mata,Ken Radley急轉(zhuǎn)直下
凱特·貝金賽爾,斯科特·伊斯特伍德,馬特·克拉文,安娜·戈?duì)柤?塔利亞·亞瑟拉夫,阿文·卡納尼安,亞歷杭德拉·霍華德,羅伯特·法里奧爾,喬丹·杜維尼奧,馬達(dá)萊娜·瓦萊基·威廉姆斯,帕滕·休斯,馬西莫·麥奎因同系列推薦
開(kāi)麥了嗎?
威爾·阿奈特,布萊德利·庫(kù)珀,塞倫·希德,勞拉·鄧恩,艾米·塞德麗絲,西恩·海耶斯,克斯汀·埃伯索爾,斯萬(wàn)米·薩姆派奧,安德拉·戴,佩頓·曼寧,加布·法齊奧,迪倫·比克爾,喬丹·詹森,Scott Icenogle,湯姆·約翰遜,Chloe Radcliffe,德里克·蓋恩斯,蘭登·威爾森,Reggie Conquest,Seyler Fox盜墓大案
李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦畫(huà)筆與旋律
Laura Chiatti,Salvatore Langella,Filippo Nigro冰封之地
尼古拉斯·凱奇,約翰·庫(kù)薩克,凡妮莎·哈金斯,凱瑟琳·拉·納莎毛骨悚然撞鬼經(jīng) 2013夏季特別篇
指原莉乃,坂口憲二,深田恭子,藤谷太輔,鈴木福尼可曼斯
莫妮卡·貝魯奇,本·奧圖爾,泰絲·哈烏布里奇,卡羅琳·福特,大衛(wèi)·文翰,戈蘭·D·克魯特,費(fèi)利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea幕后花絮
廢世界
故事設(shè)定在《廢頭》世界的1042年前,以機(jī)器人“羅賓”作為主角。羅賓原本作為護(hù)衛(wèi),隨同調(diào)查隊(duì)長(zhǎng)特里斯前往地下世界調(diào)查異常情況。盡管肩負(fù)保護(hù)特里斯的使命,但調(diào)查隊(duì)卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下,調(diào)查隊(duì)陷入苦戰(zhàn)。然而,在這場(chǎng)激烈的交鋒中,他們發(fā)現(xiàn)了次元的扭曲,并逐步揭開(kāi)地下世界隱藏的秘密與異變的真相。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster