大開(kāi)眼戒 Eyes Wide Shut
醫(yī)生威廉姆(湯姆•克魯斯 Tom Cruise 飾)攜太太(妮可•基德曼 Nicole Kidman 飾)參加他的一位主顧――當(dāng)?shù)匾粋€(gè)名流――家里舉行的晚會(huì)時(shí)，巧遇了他的一位大學(xué)同學(xué)－－在晚會(huì)上擔(dān)任鋼琴師的尼克。 當(dāng)晚，威廉姆因公外出。料理完公事后，他在一家酒吧再次遇到了尼克，尼克告訴了他有這樣一個(gè)秘密舞會(huì)：在舞會(huì)上，所有的人都穿著晚禮服，戴著面具，到處都是裸體的美女。威廉姆禁不住好奇，再三乞求尼克，尼克告訴了他舉行那個(gè)舞會(huì)的地址和入門(mén)的暗語(yǔ)。 威廉姆匆匆準(zhǔn)備后，展開(kāi)了一次如幻如夢(mèng)的冒險(xiǎn)之旅。過(guò)程充滿(mǎn)了詭異和神秘，背后的玄機(jī)更是令人無(wú)法參透。
即刻觀影
劇情賞析
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白天是阿波羅，晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內(nèi)嫩,內(nèi)拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一個(gè)妓女、一位女祭司以及其他神秘人物。在他們的指引下，她開(kāi)始尋找拋棄她的母親。這部由充滿(mǎn)潛力的女導(dǎo)演艾米妮·耶爾迪勒姆（Emine Yildirim）執(zhí)導(dǎo)的處女作，以西戴為背景。西戴是古希臘的一個(gè)殖民地，曾是位于今日安塔利亞附近的繁榮港口城市。電影《日為阿波羅，夜為雅典娜》標(biāo)題中的兩位希臘神祇分別是理性之神太陽(yáng)神阿波羅和智慧、手工藝及戰(zhàn)爭(zhēng)女神雅典娜。這部影片是一部充滿(mǎn)奇幻色彩的劇情片，講述了女性與男性、生者與死者的故事。
神犬查利
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
半身死靈2
巖田小百合,仲村美羽,長(zhǎng)宗我部陽(yáng)子,松島初音,真知里沙,山本彩乃,朝倉(cāng)蜜柑,安藤成子,水木薫,川上洋一郎,大島優(yōu)子經(jīng)歷了最可怕的一段過(guò)去，可奈（大島優(yōu)子 飾）已經(jīng)精神接近崩潰，殘酷命運(yùn)的安排，讓她最終也無(wú)法逃脫半身死靈“嗒卡嗒卡”的獵殺。路過(guò)事故現(xiàn)場(chǎng)的水谷菜月和中島玲子是就讀同一所高中同一班級(jí)的好友，她們的學(xué)校即將舉行文化祭。擔(dān)任文化祭委員的玲子無(wú)意中觸怒了班內(nèi)小集團(tuán)的頭頭刀根繪梨香，由此遭受了無(wú)休無(wú)止的孤立和欺凌。菜月看在眼里，卻不敢組織，只能隨波逐流。終于有一天，再也無(wú)法忍受的玲子將希望寄托在半身死靈身上，她將與繪梨香親近的同學(xué)相繼騙到人行天橋，目睹她們被獵殺的殘忍一幕?！ 〔嗽陆K于發(fā)現(xiàn)了好友的秘密，她嘗試阻止，并且了解到半身死靈的背景和不為人知的過(guò)去，可是為時(shí)已晚……
攔截火狐貍
Robert Sampson,Will Bledsoe,喬·托克爾It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書(shū)維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓棠家一脈花開(kāi)，將軍身故，棠夫人站在家族宗法寶塔上，也就立足彌陀鄉(xiāng)政治的頂端。黑白兩道，茶盞交錯(cuò)之間，玲瓏心，剔透眼，柔軟身段，霹靂手段，女人天下。大女兒棠寧玲瓏八面，卻懷一股心思幽微，小女兒棠真乖巧聽(tīng)話(huà)，學(xué)著繼承泡茶待客之道，隨棠夫人簾后織手暗操線(xiàn)，青春初豐滿(mǎn)的羽翼，能如何擔(dān)起腥風(fēng)血雨？棠家牽線(xiàn)的土地開(kāi)發(fā)計(jì)劃出現(xiàn)變數(shù)，好友議員一家遭滅門(mén)慘案，以血掀變，彌陀鄉(xiāng)勢(shì)力重新洗牌，暗潮涌動(dòng)，臺(tái)北二十年，大家深宅三代女人，千手染血的觀音，骨與血，治與亂，情欲與權(quán)力層層密謀穿織。