我是處兒
當(dāng)高度傳染性的病毒殺死 99%的世界人口和幸存者變成性狂熱的吸血鬼時(shí),一個(gè)孤獨(dú)的處女必須把他的力比多放在檢查和活死人的誘惑。特色s情明星羅恩 杰里米的一個(gè)特殊的現(xiàn)象。
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Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller阿爾菲1966
邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅(jiān)特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒喜馬拉亞星
鄭中基,張柏芝,劉青云,應(yīng)采兒,吳鎮(zhèn)宇,黃又南,徐天佑,李兆基,黃光亮,成奎安變鬼2
Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn杰出公民
奧斯卡·馬丁內(nèi)茲,達(dá)迪·布列瓦,安德麗婭·弗里杰里奧,諾拉·納瓦斯,曼努埃爾·維森特,馬塞洛·丹德烈亞,貝倫·沙瓦納,古斯塔沃·加爾松,朱利安·拉基爾·泰拉里尼,艾瑪·里維拉,尼古拉斯·德·特蕾西,丹尼爾·卡爾吉曼,亞歷克西斯·洛佩茲·科斯塔,萊昂納多·穆里亞,佩德羅·羅斯杰莎貝爾
莎拉·斯努克,喬麗·卡特,馬克·韋伯,安娜·德拉·雷古拉,艾波·斯蒂文斯,布萊恩·哈利塞,拉麗莎·奧蕾尼克,大衛(wèi)·安德魯,克里斯·埃里斯,Vaughn Wilson,弗蘭·本內(nèi)特,Paul Garrett,芭芭拉·威特曼,Jason Davis,Lucius Baston同類推薦
預(yù)見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項(xiàng)革命性的人類基因研究計(jì)劃,為預(yù)防疾病與犯罪帶來了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發(fā)展與延續(xù),還有個(gè)能預(yù)知他人死亡的特殊能力。不過這次他的能力卻陰錯(cuò)陽差害死了自己的女友安娜,內(nèi)疚不已的希歐多以悲傷度日,直到一個(gè)月過去,安娜竟又活生生地出現(xiàn)在他面前?
他們之后的孩子
保羅·基爾舍,安吉麗娜·沃雷斯,賽義德·艾爾·阿拉米,阿娜伊斯·德穆斯蒂埃,露易絲·萊赫里,吉爾·勒盧什,路易·梅米,露德溫·塞尼耶,Denis Simonetta,Anouk Villemin一個(gè)關(guān)于愛、青春與友誼的美麗成長故事。1992年8月,在一個(gè)被遺忘的山谷中,安東尼愛上了斯蒂芬妮。當(dāng)晚為了再次見到她,他偷借父親的摩托車去派對,翌日卻發(fā)現(xiàn)摩托丟失,他的生活也就此產(chǎn)生巨變。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阿特羅皮亞
阿莉雅·肖卡特,克洛伊·伊斯特,查寧·塔圖姆,科洛·塞維尼,簡·利維,卡勒姆·特納,蒂姆·海德克,吉爾·佩雷斯-亞伯拉罕,索爾·洛佩斯,托比·尼克爾斯,托尼·肖卡特,普莉希拉加里塔,吉爾伯托·奧爾蒂斯,Dash Melrose,沙霍莉·艾爾斯,理查德·布萊克蒙,阿里烏斯·巴恩斯,扎赫拉·阿爾祖拜迪,菲爾·伯格斯,肖恩·崔講述了一位有抱負(fù)的女演員在模擬伊拉克戰(zhàn)區(qū)的美國軍事訓(xùn)練基地工作的故事。
機(jī)動(dòng)戰(zhàn)士高達(dá)閃光的哈薩維
小野賢章,上田麗奈,諏訪部順一,齊藤壯馬,津田健次郎,石川由依,落合福嗣,武內(nèi)駿輔,早見沙織,松岡美里,澤城千春,宮崎游,天崎滉平,綿貫龍之介,田中光,草野峻平,種崎敦美,新祐樹,綾見有紀(jì),鷲見昂大,尼古拉·法萊那澤,越后屋浩介,藤高智大,Volcano太田,川口啟史,田村千惠,井川秀榮,吉富英治,木曾寬子,佐佐木祐介,吉田健司,高橋雛子,高橋大輔,瀧村直樹,福西勝也,佐伯美由紀(jì),本多新也,木野日菜,內(nèi)田紳一郎,櫻岡敦子,地藏堂武大,川上洋平,磯部寬之,白井真輝,ASHLEY,JAMES,SAYAKA,山本作以哈薩維為主角,采取三部曲的形式,講述“逆襲的夏亞”之后的故事。