劇情縱覽
LAX愛死,無論淳樸善良的富二代、情迷意亂的未來老爺、還是靠偷呃拐騙求存的前度,統(tǒng)統(tǒng)墮入五月みどり色欲迷宮。倒不是西村昭五郎節(jié)奏掌控不好,軟色情場面也盡善盡美,只是始終不明白為何人人都為這半老徐娘不能自拔,難道因為結(jié)局時的有情有義?若是如此,為何又常常陷于不倫之戀呢?
LAX愛死,無論淳樸善良的富二代、情迷意亂的未來老爺、還是靠偷呃拐騙求存的前度,統(tǒng)統(tǒng)墮入五月みどり色欲迷宮。倒不是西村昭五郎節(jié)奏掌控不好,軟色情場面也盡善盡美,只是始終不明白為何人人都為這半老徐娘不能自拔,難道因為結(jié)局時的有情有義?若是如此,為何又常常陷于不倫之戀呢?
當活著比死更需勇氣,十二個少年來到荒廢醫(yī)院,進行本以為是12 比0 的投票,通過後便可集體自殺,卻發(fā)現(xiàn)房間多了一具屍體,必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開,同時進行「十二怒漢」式針鋒相對。原來再厭世,內(nèi)心極渴望別人聆聽自己故事。每一個都可疑,每一個都隨時被說服,結(jié)局示範最令人心悅誠服的反轉(zhuǎn)?!?0 世紀少年》(2008-09)、《愛的成人式》(2015)導演堤幸彥巧妙觸碰少年自殺的禁忌,像補完計劃般置諸死地,在絕望深淵,一次擁抱可拯救一個靈魂。
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
天降妖星,龍脈斷裂,蠱蟲肆虐。隱士白隱川被迫重出江湖,與瘋癲故友、雙面女禁衛(wèi)探地宮、破鎖龍陣,在權(quán)力棋局中,為人心而戰(zhàn)!
暑假將至,十歲的格洛麗亞陪同身為護士的母親安東尼婭去醫(yī)院上班。格洛麗亞對醫(yī)院早已熟悉,經(jīng)常獨自探索。有一天,她遇到了同樣十歲的索菲亞。索菲亞來醫(yī)院是因為她的祖母:比薩·弗朗西斯卡,一位患有阿爾茨海默癥的精神治療師,因家中發(fā)生意外而住院。索菲亞和母親西蒙娜對比薩的下一步安排意見不一。西蒙娜堅持認為她應該暫時留在醫(yī)院;索菲亞則渴望將祖母送回鄉(xiāng)下的家中。格洛麗亞和索菲亞夢想著離開醫(yī)院,而她們的母親——都是單親媽媽,則與她們建立了信任和相互支持的紐帶。死亡與重生的循環(huán)對格洛麗亞、索菲亞、安東尼婭和西蒙娜來說意義深遠。當比薩即將離世時,安東尼婭負責她的臨終關(guān)懷。在鄉(xiāng)下,他們發(fā)現(xiàn)一個社區(qū)正在等待比薩,準備為流浪的靈魂祈禱,以便他們能夠繼續(xù)前行。