性戲王48的奇跡
xing戲王48之奇跡完全不受歡迎的處男侽、吉田圭。打工的地方也總是被店長罵。圭之唯一的治愈系是溫柔可愛的打工前輩彩菜。但是有一天,圭在打工的休息室里,目擊了展開濃厚做ai的店長和彩菜。因?yàn)樘^震驚而在街上徘徊的圭,一個(gè)奇怪的占卜師向他打招呼。;你能看到引發(fā)48之奇跡;的樣子。達(dá)成這個(gè)目標(biāo)的人,就能成為世界之王。其為之試煉是稱霸xing技48手。即48人之女xing的交手。 ;對(duì)于突然的預(yù)言感到目瞪口呆的圭,為了改變命運(yùn)而決定要面對(duì)考驗(yàn)
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劇情簡介
xing戲王48之奇跡完全不受歡迎的處男侽、吉田圭。打工的地方也總是被店長罵。圭之唯一的治愈系是溫柔可愛的打工前輩彩菜。但是有一天,圭在打工的休息室里,目擊了展開濃厚做ai的店長和彩菜。因?yàn)樘^震驚而在街上徘徊的圭,一個(gè)奇怪的占卜師向他打招呼。;你能看到引發(fā)48之奇跡;的樣子。達(dá)成這個(gè)目標(biāo)的人,就能成為世界之王。其為之試煉是稱霸xing技48手。即48人之女xing的交手。 ;對(duì)于突然的預(yù)言感到目瞪口呆的圭,為了改變命運(yùn)而決定要面對(duì)考驗(yàn)
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薩姆·沃辛頓,佐伊·索爾達(dá)娜,西格妮·韋弗,史蒂芬·朗,奧娜·卓別林,大衛(wèi)·休里斯,凱特·溫斯萊特,貝利·巴斯,吉奧瓦尼·瑞比西,杰梅奈·克萊門特,杰米·福雷特斯,埃迪·法可,克利夫·柯蒂斯,喬·大衛(wèi)·摩爾 ,杰克·尚皮永,馬特·杰拉德,科斯頓·約翰,菲利普·蓋廖,布里坦·道爾頓,特里尼蒂·布利斯,小杜安·埃文斯血咒圣痕
藤原啟治一英里
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麥卡·夢(mèng)露,泰里克·威瑟斯,布萊德利·惠特福德,勞倫·格拉漢姆,希拉里·杰迪妮,詹妮弗·羅伯遜,魯?shù)稀づ丝?萊尼·威爾遜,尼古拉斯·杜威內(nèi),佐伊·科索維奇,Rick Koy,Susan Serrao,Anne Hawthorne,Monika Myers,Laird Reghenas,Kevin Corey,Bud Klasky,羅里·埃德加猩瘋血雨
約翰尼·斯奎婭,特洛伊·科特蘇爾,杰西卡·亞歷山大,維多利亞·懷恩特,凱文·麥克納利,加繪·亞歷山大,吉婭·亨特,查爾斯·曼恩,蒂安·西蒙,本杰明·程,斯圖爾特·惠蘭,阿爾伯特·馬加希,米格爾·托雷斯·翁巴,基蘭·迪恩,阿米娜·阿卜迪美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當(dāng)·布羅迪,凱斯·大衛(wèi),邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費(fèi)斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林人氣佳作
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁留低你個(gè)死人頭
William Baldwin,安琪拉·瓊斯導(dǎo)演精選
沖繩小芙蓉
座落沖繩的「Hotel Hibiscus」,雖然名為酒店,卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動(dòng),每天和朋友一起去探險(xiǎn)。某日,美惠子放學(xué)回家時(shí),遇到了倒在地上的青年,并把他帶回Hotel Hibiscus… 導(dǎo)演中江裕司繼《Nabbie's Love》四年后的新作,《Hotel Hibiscus》繼續(xù)以沖繩為舞臺(tái)。電影改編自Nakasone Miiko的同名漫畫,描寫小三女生美惠子的冒險(xiǎn)和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學(xué)生中挑選出來,合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
希望的另一面
一個(gè)叫做哈立德的年輕敘利亞難民幾乎失去了所有的家人。近乎偶然之下,他藏在一艘運(yùn)煤船里流落到赫爾辛基成了一個(gè)偷渡客,并在當(dāng)?shù)貙で笳伪幼o(hù)。維克斯特倫是一個(gè)旅行推銷員,他在牌桌上贏了一大筆錢之后在赫爾辛基的一條后街買了一家不賺錢的餐館。在當(dāng)?shù)卣鞒鲆獙⒐⒌虑卜祷匕⒗疹H的判決后,他決定非法留在這個(gè)國家。最終,維克斯特倫發(fā)現(xiàn)哈立德睡在他餐館的內(nèi)院里,并聘請(qǐng)他到自己餐館里做清潔工和洗碗工。生活會(huì)短暫地向我們展示它光明的一面,然而命運(yùn)很快就會(huì)插手其中。