青春期叛逆的騷動(dòng)
著名美女影星費(fèi)米 middot;本紐西 Femi Benussi（知名作；《繼母》等）與瑪麗莎 middot;隆戈 Malisa Longo知名作；米蘭達(dá) / 布達(dá)佩斯小酒館 等） 本片劇情；一個(gè)悶騷的中年數(shù)學(xué)老師，愛(ài)上了一個(gè)學(xué)生，阿蘭。但她的資產(chǎn)階級(jí)的成長(zhǎng)來(lái)自于這個(gè)幻想愛(ài)的方式，直到她發(fā)現(xiàn)闕她最好的朋友了周五的年輕人。
劇情簡(jiǎn)介
著名美女影星費(fèi)米 middot;本紐西 Femi Benussi（知名作；《繼母》等）與瑪麗莎 middot;隆戈 Malisa Longo知名作；米蘭達(dá) / 布達(dá)佩斯小酒館 等） 本片劇情；一個(gè)悶騷的中年數(shù)學(xué)老師，愛(ài)上了一個(gè)學(xué)生，阿蘭。但她的資產(chǎn)階級(jí)的成長(zhǎng)來(lái)自于這個(gè)幻想愛(ài)的方式，直到她發(fā)現(xiàn)闕她最好的朋友了周五的年輕人。
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圍困
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇?chē)У木虐偬?，列寧格勒軍民克服種種令人難以置信的困難--饑餓，轟炸，疾病，寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。
無(wú)處釋放我
杰瑞米·艾倫·懷特,杰瑞米·斯特朗,保羅·沃爾特·豪澤,斯蒂芬·格拉漢姆,奧黛莎·楊,馬克·馬龍,蓋比·霍夫曼,大衛(wèi)·克朗姆霍茨,格蕾絲·古默,哈里森·吉爾伯特森,約翰尼·坎尼扎羅,琳恩·A·弗里德曼,斯蒂芬·辛格,伊萬(wàn)·阿馬羅·布隆,莎拉·斯洛博達(dá),克里斯托弗·杰伊姆斯,格雷格·普朗科,克雷格·杰拉蒂,阿拉貝拉·奧利維婭·克拉克,洛蕾娜·奧斯塔影片聚焦布魯斯·斯普林斯汀打造1982年的著名專輯《Nebraska》時(shí)期，作為年輕音樂(lè)人的他努力應(yīng)對(duì)成功的壓力，和令人困擾的過(guò)往。
維也納戰(zhàn)役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達(dá)-庫(kù)魯斯,彼得·亞當(dāng)奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫(kù)普,喬治·盧帕諾,菲德莉卡·馬丁內(nèi)莉,詹尼·穆西,達(dá)尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內(nèi)春彥,沃伊切赫·麥克瓦爾達(dá)斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達(dá)林·德拉甘,斯蒂芬·揚(yáng)庫(kù),Edward Linde-Lubaszenko,Daniel1453年，東羅馬帝國(guó)陷落后，地處中歐的神圣羅馬帝國(guó)，不得不直接面對(duì)土耳其人的侵?jǐn)_。土耳其人熱衷擴(kuò)張，雖然他們信奉伊斯蘭教，但他們認(rèn)為他們才是真正的“羅馬皇帝”，神圣羅馬帝國(guó)的皇位，已由哈布斯堡王朝掌權(quán)兩百年，他們是基督教世界的最后保衛(wèi)者，雙方再維也納一決高下：一方信誓旦旦，另一方誓死捍衛(wèi)。
為你遺憾
麥肯娜·格瑞絲,梅森·泰晤士,艾莉森·威廉姆斯,戴夫·弗蘭科,斯科特·伊斯特伍德,薇拉·菲茨杰拉德,薩姆·莫雷洛斯,克蘭西·布朗,庫(kù)爾特·岳,奧布雷·布洛克維,瑪莎兒·樂(lè)芙蘭,盧克·皮埃爾·羅內(nèi)斯,伊?！た扑顾崂?艾麗西亞·卡斯伯特森,威廉·伯納姆·西蒙斯,瑞安·康納·西蒙斯,丹尼爾·史密斯,哈薩尼·維貝茲·科默,瑪克西瑪·馬斯特斯一宗牽涉兩條人命的嚴(yán)重交通意外，揭開(kāi)了令人震驚的秘密；一對(duì)母女被迫面對(duì)家族的傷痕，探索愛(ài)的定義，并重新認(rèn)識(shí)彼此?！ ∮捌木幾浴稅?ài)情，到此為止》原作者科琳·胡佛的同名暢銷小說(shuō)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
藍(lán)調(diào)之歌
休·杰克曼,凱特·哈德森,邁克爾·因佩里奧利,費(fèi)舍·史蒂芬斯,詹姆斯·貝魯什,艾拉·安德森,金·普安公主,穆斯塔法·沙基爾,Bob Roseman,杰森·華納·史密斯,羅伯特·約翰·加拉格爾,Eva Kaminsky,Beth Malone,馬特·戈?duì)査够?Sean Allan Krill,T. Oliver Reid,Tom O'Keefe,鮑里斯·倫敦,Johnny Olmez,Faye Tamasa影片改編自真實(shí)故事，講述兩名時(shí)運(yùn)不佳的音樂(lè)人（休·杰克曼與凱特·哈德森 飾）組成一支充滿歡樂(lè)氣氛的尼爾·戴門(mén)致敬樂(lè)團(tuán)，證明了尋找愛(ài)情和追逐夢(mèng)想永遠(yuǎn)不會(huì)太晚。
真事信不信
大衛(wèi)·伯恩,約翰·古德曼,斯波爾丁·格雷,迪圖·拉里瓦,斯薇茲·昆茨本片以主人公大衛(wèi)·布萊恩架車(chē)游歷美國(guó)得克薩斯州過(guò)程中所見(jiàn)所聞為主線，透過(guò)一個(gè)個(gè)具有鮮明個(gè)性的小人物及發(fā)生在他們身上的故事，展示了當(dāng)?shù)厝藢?duì)于生活和愛(ài)情的獨(dú)特理解。該片值得稱道的是將歌舞與寫(xiě)實(shí)完美結(jié)合，大量旋律優(yōu)美的鄉(xiāng)村民謠,歌曲成為片中最耀眼的亮點(diǎn)，也是導(dǎo)演大衛(wèi)·布萊恩對(duì)電影藝術(shù)的創(chuàng)新之舉，是一次成功的探索。