食人戀
經(jīng)營(yíng)裁縫店的卡洛斯（安東尼奧·德拉·托雷 Antonio de la Torre 飾）安靜優(yōu)雅，他生活在西班牙一座靜謐舒適的小鎮(zhèn)，每天只是裁剪和烹飪美食，愛情仿佛與他完全絕緣。那天，卡洛斯所在的公寓搬來(lái)一位名叫亞歷珊德拉（Olimpia Melinte 飾）的金發(fā)美麗女子。女人時(shí)常打電話大聲吵架，突如其來(lái)的噪聲顯然侵?jǐn)_了卡洛斯殼中的生活，但這個(gè)男子似乎又隱隱對(duì)亞歷珊德拉產(chǎn)生了不易讓人察覺的興趣。某晚，亞歷珊德拉找到卡洛斯，希望他能帶自己去報(bào)案。在此之后，亞歷珊德拉人間消失，而失蹤當(dāng)晚曾和她吵過(guò)架的雙胞胎妹妹尼娜（Olimpia Melinte 飾）來(lái)到公寓尋找姐姐的下落，并宿命般地遇見了卡洛斯。 藏著可怕秘密的卡洛斯，死神一般靜寂的生活泛起波瀾……
在線播放
劇情簡(jiǎn)介
經(jīng)營(yíng)裁縫店的卡洛斯（安東尼奧·德拉·托雷 Antonio de la Torre 飾）安靜優(yōu)雅，他生活在西班牙一座靜謐舒適的小鎮(zhèn)，每天只是裁剪和烹飪美食，愛情仿佛與他完全絕緣。那天，卡洛斯所在的公寓搬來(lái)一位名叫亞歷珊德拉（Olimpia Melinte 飾）的金發(fā)美麗女子。女人時(shí)常打電話大聲吵架，突如其來(lái)的噪聲顯然侵?jǐn)_了卡洛斯殼中的生活，但這個(gè)男子似乎又隱隱對(duì)亞歷珊德拉產(chǎn)生了不易讓人察覺的興趣。某晚，亞歷珊德拉找到卡洛斯，希望他能帶自己去報(bào)案。在此之后，亞歷珊德拉人間消失，而失蹤當(dāng)晚曾和她吵過(guò)架的雙胞胎妹妹尼娜（Olimpia Melinte 飾）來(lái)到公寓尋找姐姐的下落，并宿命般地遇見了卡洛斯。 藏著可怕秘密的卡洛斯，死神一般靜寂的生活泛起波瀾……
導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
浩劫后
核子戰(zhàn)爭(zhēng)浩劫一直是人類社會(huì)揮之不去的陰影，萬(wàn)一在哪一天真的爆發(fā)了核戰(zhàn)，那將會(huì)是什么景象呢？這部尼古拉斯．邁耶導(dǎo)演的電視電影就是根據(jù)這種推測(cè)拍成的作品，用寫實(shí)手法刻劃美國(guó)堪薩斯州勞倫斯市發(fā)生核彈爆炸后的各種景況，從而探討外在世界的變化和人性的內(nèi)在演變，主題具省思意識(shí)，在1983年美國(guó)首播時(shí)曾造成極大轟動(dòng)。幾位主要演員：賈森．羅巴茲、喬拜茲．威廉斯、史蒂夫．加頓伯格、約翰．李斯可、埃米．馬迪根等均有緊扣人心的精彩演出。
惡徒2025
一名19歲的罪犯湯米（Tommy）被一對(duì)功能失調(diào)的夫婦克里斯（Chris）和凱瑟琳（Kathryn）綁架，并被迫接受他們的“改造計(jì)劃”，試圖將他塑造成一個(gè)“好男孩”。湯米必須設(shè)法逃脫。