偉哥也瘋狂2

★ 7.9 播放：56萬 更新：2026-04-22
主演：歷蘇 Lena Farugia Hans Strydom 

在沙漠中生活的卡拉哈里人遠(yuǎn)離現(xiàn)代世界，在干旱的環(huán)境里自有一套謀生方式?？ɡ锶似娓纾∟!xau 飾）的兩個(gè)幼子奇沙與奇爾在父親尋找食物時(shí)被車廂的露水吸引，登上了偷獵者的卡車，卻被不知情的偷獵者帶走。奇哥自此踏上了追尋孩子的旅途來自美國(guó)的法學(xué)博士安泰勒（Lena Farugia 飾）經(jīng)一位心血來潮的飛行員邀請(qǐng)，登上了他的飛機(jī)，卻為惡劣的天氣影響，和動(dòng)物學(xué)家馬歇爾（Hans Strydom 飾）一同被困在沙漠的深處，兩位博士術(shù)業(yè)有專攻，但野外生存肯定不是安泰勒的強(qiáng)項(xiàng)，女博士忙亂的表現(xiàn)為這次歷險(xiǎn)平添了輕松的氣氛 古巴戰(zhàn)士與非洲士兵為雙方陣營(yíng)而戰(zhàn)，兩個(gè)人一把槍傳來傳去，他們也先后做著對(duì)方的俘虜這群人在沙漠深處的動(dòng)物天堂穿插互動(dòng)，上演了一出溫馨輕松的喜劇。 　　

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劇情簡(jiǎn)介

在沙漠中生活的卡拉哈里人遠(yuǎn)離現(xiàn)代世界，在干旱的環(huán)境里自有一套謀生方式?？ɡ锶似娓纾∟!xau 飾）的兩個(gè)幼子奇沙與奇爾在父親尋找食物時(shí)被車廂的露水吸引，登上了偷獵者的卡車，卻被不知情的偷獵者帶走。奇哥自此踏上了追尋孩子的旅途來自美國(guó)的法學(xué)博士安泰勒（Lena Farugia 飾）經(jīng)一位心血來潮的飛行員邀請(qǐng)，登上了他的飛機(jī)，卻為惡劣的天氣影響，和動(dòng)物學(xué)家馬歇爾（Hans Strydom 飾）一同被困在沙漠的深處，兩位博士術(shù)業(yè)有專攻，但野外生存肯定不是安泰勒的強(qiáng)項(xiàng)，女博士忙亂的表現(xiàn)為這次歷險(xiǎn)平添了輕松的氣氛 古巴戰(zhàn)士與非洲士兵為雙方陣營(yíng)而戰(zhàn)，兩個(gè)人一把槍傳來傳去，他們也先后做著對(duì)方的俘虜這群人在沙漠深處的動(dòng)物天堂穿插互動(dòng)，上演了一出溫馨輕松的喜劇。 　　

導(dǎo)演精選

七個(gè)以下

　　The story centers on a group of strangers trapped in a time warp house where a terrible event transpired exactly 100 years prior.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

養(yǎng)鬼吃人4

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