M的咒縛
別名:団鬼六 Mの呪縛,從事自由職業(yè)攝影師植村 (永性能大輔助) 雜項(xiàng)曹植業(yè)務(wù)集由香 (長(zhǎng)澤海帶) 并做一份工作在城市與女人穿著喪? 祭 (成田三十五) 看看什么。 植村是馬里無底魅力虜知道事實(shí)越來越死亡謎和馬里和達(dá)到的人的感情。 但植村是誘離開馬里卡和一夜之間下降到差錯(cuò)世界嗎? 不當(dāng)?shù)牟恢滥怯芯褪菒邸?內(nèi)容 (電影院季節(jié)信息,更多) SM 色情文學(xué)大師? Dan oniroku 短商務(wù)小概述六"masho 沒有 yuwaku"基于電影的"M 詛咒自助 " shinzato 武未刪節(jié)的基督徒從東京 onkou...... 自由攝影師植村真的是工作鎮(zhèn)與香 Mari 穿著喪的衣服,看到裝甲的踢。 他成為虜了一會(huì)兒,她深不見底的魅力。
劇情簡(jiǎn)介
別名:団鬼六 Mの呪縛,從事自由職業(yè)攝影師植村 (永性能大輔助) 雜項(xiàng)曹植業(yè)務(wù)集由香 (長(zhǎng)澤海帶) 并做一份工作在城市與女人穿著喪? 祭 (成田三十五) 看看什么。 植村是馬里無底魅力虜知道事實(shí)越來越死亡謎和馬里和達(dá)到的人的感情。 但植村是誘離開馬里卡和一夜之間下降到差錯(cuò)世界嗎? 不當(dāng)?shù)牟恢滥怯芯褪菒邸?內(nèi)容 (電影院季節(jié)信息,更多) SM 色情文學(xué)大師? Dan oniroku 短商務(wù)小概述六"masho 沒有 yuwaku"基于電影的"M 詛咒自助 " shinzato 武未刪節(jié)的基督徒從東京 onkou...... 自由攝影師植村真的是工作鎮(zhèn)與香 Mari 穿著喪的衣服,看到裝甲的踢。 他成為虜了一會(huì)兒,她深不見底的魅力。
為你推薦
鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke故事講述一個(gè)窮女孩去照顧她失明的富表姐,這個(gè)表姐盡管看不見,卻可以與鬼魂交流。
金剛不壞2024
喬杉,柳巖,梁龍,孫陽,楊新鳴,桑平,劉長(zhǎng)純,代樂樂金剛回到了自己曾經(jīng)生活的地方,然而一切早已物是人非。這時(shí),一起拐賣兒童的事件意外發(fā)生,金剛以一個(gè)局外人的身份開始尋找被拐的女孩,在這個(gè)過程中他的過往也依舊在糾纏著他…… 金剛將不得不面對(duì)自己最不愿意正視的傷痛……
驚蟄無聲
易烊千璽,朱一龍,宋佳,雷佳音,楊冪,張譯,劉詩詩,劉耀文,林博洋,潘斌龍,姚安娜,段奕宏,陳明昊,江奇霖,王圣迪,黃炎,飛凡你看不見的地方,諜戰(zhàn)從未停止交鋒!我國(guó)最新戰(zhàn)機(jī)的涉密信息外泄,國(guó)家安全面臨威脅,國(guó)安小組迅速行動(dòng)抓捕間諜,在信任與背叛的漩渦中,一場(chǎng)驚心博弈悄然上演……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙在西班牙馬略卡島的一次旅行中,兩位年輕女子(吉爾和薇薇安)在一家偏僻的酒吧里遇到了一群歐洲游客。她們一起游覽了當(dāng)?shù)氐耐讲铰肪€,卻以薇薇安慘遭殺害而告終。友誼逐漸被猜忌和恐懼所取代,幸存者們開始努力找出潛伏在她們中間的兇手。——布魯克法官
線人1973
羅伯特·米徹姆,彼得·博伊爾,理查德·喬丹,史蒂文·基茨,阿歷克斯·羅克,喬·桑托斯,米奇·瑞恩,Peter MacLean,凱文·歐莫里森,Marvin Lichterman,卡羅琳·皮克曼,詹姆斯·托根,瑪格麗特·拉德,馬修·考爾斯,Helena Carroll,杰克·基歐,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson根據(jù)史上100部偉大推理小說改編而成 ●一區(qū)標(biāo)準(zhǔn)版,全新數(shù)字修復(fù)高清版 本片《線人》是根據(jù)史上100部偉大推理小說,改編而成,是導(dǎo)演彼得·葉茲經(jīng)典作品之一;愛迪是一個(gè)交友廣泛的人,但世界上卻沒有是永遠(yuǎn)的朋友;因?yàn)樯磉叺娜?,正在處心積慮地準(zhǔn)備把愛迪重新送回監(jiān)獄;為了逃脫這個(gè)悲慘命運(yùn),愛迪干起了走私軍火的生意,他把軍火賣給那些準(zhǔn)備搶銀行和干綁架的“朋友們”但不知不覺間,這個(gè)強(qiáng)盜內(nèi)部,似乎有警察的臥底,到底是誰呢?他們的搶劫行動(dòng)到底能不能成功呢?!
穿越愛情線
葉灝基,關(guān)嘉敏,許俊豪,陳康琪寵愛女友的男主角,在好友幫忙下成功求婚。男主角當(dāng)晚高興入眠。至第二天醒來,發(fā)現(xiàn)自己在一個(gè)陌生房間,身邊多了一個(gè)陌生女子,她告知是自己的老婆,驚訝之時(shí)才發(fā)現(xiàn)自己來到三年之后,離奇荒誕的事接踵而來,究竟為何會(huì)這樣?這三年又發(fā)生了什么事?本身的女友又去了哪里呢?