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朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復(fù),錢薇真好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶利刃出鞘2
丹尼爾·克雷格,愛德華·諾頓,加奈兒·夢(mèng)奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達(dá)拉斯·羅伯特斯,伊?!せ艨?休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當(dāng)·達(dá)文波特,詹姆斯·佩頓,杰克·塔珀超時(shí)空獵殺
苗韻桐,郝艾莉,張晶基卡2025
瑪儂·克拉維爾,Makita Samba,托馬斯·庫芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯納德·布蘭卡恩,Kadija Leclere,安納爾·斯諾克,Thierry Hellin,埃洛迪·巴特爾斯我的野蠻同學(xué)
謝霆鋒,馮德倫,容祖兒,彭敬慈,鐘兆康,余家豪,吳志雄同類推薦
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達(dá)特,阿俊·拉姆鮑,馬達(dá)范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶變裝皇后家好與家人疏離,因媽媽罹患失智癥需貼身照顧,才久違回了家。母親記憶力衰退,不斷提起家好童年軼事,耿耿于懷。有次家好忘記卸妝被母親撞見,為安撫她,只好謊稱自己是母親失散多年的女兒,怎料母親信以為真,令家好展開一段療愈原生家庭創(chuàng)傷之旅。到底家好是否可以月圓?王國燊繼《男兒王》又一變裝皇后力作,聯(lián)同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳,將新加坡變裝皇后Sammi Zhen真實(shí)故事搬上大銀幕。
大蛇5:怪獸都市
張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡太平洋雨夜,海灘尸骸遍野,貨船遭巨獸撕碎,災(zāi)難預(yù)兆降臨。邊郊監(jiān)獄內(nèi),死刑犯烏川臨刑前夜遇史前大蛇襲擊,混亂中越獄,卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發(fā)蛇災(zāi),烏川母親被困車間,他拒捕欲救人,此時(shí)各類史前怪獸肆虐,城市淪為煉獄。二人與幸存者躲進(jìn)超市,合力斬殺潛藏怪物。眾人查明,驲琿化工違規(guī)排海才引生物報(bào)復(fù)。 吳川挺身營救母親與幸存者,擊敗大蛇阻止二次污染
蔗噬
喬茜·朱麗葉特·沃特,Kellan Jackson,Lacey Katena,Michael Mau,邦妮·布魯爾,Zach Ball,Ashley Nicole Blake,Haley Johnson,妮可·凱茨,Cullen Lovelock,Kevin J. Stone,Clarence Garner,貝內(nèi)特·韋爾奇,Will Landis,Cate Whitlatch一場(chǎng)與虐殺狂魔的生死競(jìng)速就此展開——販賣幸存者拼死追蹤被綁少女,而自其失蹤后,每一小時(shí)流逝都令少女的生機(jī)愈加岌岌可危
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.